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‘Focus, Grandma’ Review: A Modest Black Comedy Set in Sarajevo in 1992
Alissa Simon Film CriticThe micro-budget feature “Focus, Grandma” from Bosnian helmer-writer Pjer Žalica is a black comedy set in Sarajevo during the spring of 1992, when members of a dysfunctional family are summoned to the bed of their dying matriarch. As the siblings and their spouses arrive from far-flung parts of Yugoslavia, their squabbles and meanderings down memory lane, as well as machinations over the anticipated inheritance, distract them from the bigger picture of what is happening to their country.Although the storyline feels a tad familiar and the humor is less sharp than in Žalica’s debut “Fuse,” there is considerable pleasure in watching the talented players in the ensemble.