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Peter Bart: Screeners Pay Their Final Visit As Producers Pray That Food & Swag Will Stoke Interest In Virtual Awards Season
They fill the mailbox daily – the tightly packaged screeners that arrive like welcome anachronisms, some bearing familiar titles (Mank, Soul) but most as strangers (Wolfwalkers, Athlete A). Their sheer abundance reminds us of the creative energy out there; the “out there,” however, seems lost in the mist. “We need festivals and parties and hype,” observes Nick Jarecki, whose fast-paced thriller Crisis opens in March, searching for hype (he won the Kodak Auteur Award).
