Maja Prelog: Last News

Naman Ramachandran Circle Women Doc Accelerator, an exclusive training program for female-identifying documentary filmmakers, has selected the projects that will take part in its showcase as part of the Cannes Docs program of the Marché du Film 2023. For the fourth consecutive year, four alumnae of the program have the opportunity to present their works-in-progress during the Cannes Film Market. Previous winners include “Twice Colonized” by Lin Alluna, which won the Docs-In-Progress award in Cannes last year before premiering in Sundance and opening both CPH:DOX and Hot Docs; Ágnes Horváth-Szabó and Anna Nemet’s “Beauty of the Beast” (Nordisk Panorama Award 2020); and “Cent’anni” by Maja Prelog (IEFTA Docs-In-Progress Award 2021).

Lise Pedersen The top IEFTA (Intl. Film Talent Assn.) award for docs-in-progress at the Cannes Film Market’s documentary-focused industry sidebar Cannes Docs has gone to “Twice Colonized” by Lin Alluna.The film was developed by the Circle Women Doc Accelerator, a training program for female-identifying documentary filmmakers.The win marks a hat-trick for Circle since they started their partnership with Cannes Docs in 2020: previous IEFTA Docs-in-Progress Award laureates at the industry event include “Beauty of the Beast” by Anna Nemes, produced by Circle 2018 alumna Ágnes Horváth-Szabó, and “Cent’anni” by Circle 2020 alumna Maja Prelog, produced by Rok Biček.“Twice Colonized” tells the story of renowned Inuit lawyer Aaju Peter who has led a lifelong fight for the rights of her people.