Four years, two films, and one near-fatal experience after his last feature, writer-director Gaspar Noé has a lot to share. The experimental Argentinian filmmaker – who’s built his career in France over the past 25 years – had a brain hemorrhage in between the 2019 Cannes midnight premiere of “Lux Aeterna,” his assaulting, intellectual 52-minute strobe light thriller about a witch shoot from hell, and the making of his next film “Vortex,” a patient, heartrending, nearly two-and-a-half-hour dementia drama.
