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‘A Love Song’ Review: Max Walker-Silverman’s Debut Is A Beautiful, Overdue Showcase For Dale Dickey [Sundance]
Yellow wildflowers in the dusty brown dirt, multi-colored rolling hills, and a green-blue lake set the stage for writer-director Max Walker-Silverman’s debut feature film “A Love Song.” A rumination on love found and lost, it’s also a hymn to the beauty and wonder of Walker-Silverman’s native Colorado. Cinematographer Alfonso Herrera Salcedo shoots the film with the hazy, yet hyper-defined colors of an old picture postcard.
