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‘It Is in Us All’ Review: A Magnetic Cosmo Jarvis Anchors an Eerie but Diminishing Exploration of the Death Drive
Jessica Kiang Early on in David Cronenberg’s “Crash,” two characters lock eyes across the crumpled hoods of their cars after a head-on collision. A strange transference occurs, partly sexual and partly about a different kind of intimacy, one that comes from a shared proximity to death.
