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‘Souad’: Ayten Amin’s Provocative Portrait of Social Media Isolation Is Empathetic & Sometimes Underformed [Tribeca Review]
Social media as a way of hiding ourselves and assuming a new identity is an increasingly familiar cinematic concept, and in most genre films, that flexibility can introduce a kind of threat. In Gia Coppola’s recent “Mainstream,” Jan Komasa’s “The Hater,” and Leo Gabriadze’s “Unfriended,” Facebook, Twitter, YouTube, and Instagram allow for a veiling of users’ true identities.
