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‘EO’ Filmmaker Jerzy Skolimowski On Lessons Learned From Robert Bresson – Contenders International
Polish maestro Jerzy Skolimowski calls EO, winner of the Cannes Film Festival Jury Prize and just this week the Best Foreign Film award from the New York Film Critics Circle, “practically a road movie” whose POVs from the titular donkey “were the most effective element of the whole filming and editing.”
