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Cinematography Contenders on Capturing TV’s Most Stunning Images
Jazz Tangcay Artisans EditorTraveling back in time allows cinematographers to celebrate the old while making something new.“Fargo” showrunner Noah Hawley always meant for the ninth episode of Season 4, “East/West,” to be photographed in black and white.Movie buffs will note the homage to “The Wizard of Oz” as the palette shifts from the established ‘50s Kodachrome color look after which the season had been fashioned, to black and white five minutes into the episode, and then shifts back at the end.Another big influence, according to DP Dana Gonzales, was Robert Frank’s photography book “The Americans.” “Not only was I interested in the look of the photographs, but also what Robert Frank captured in his images: the not-so-perfect,
