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‘Room 104’ Ends Its Intriguing Storytelling Experiment With A Genre-Bending Final Season [Review]
That’s all, folks: The Brothers Duplass, Mark and Jay, are shuttering the motel. For the last few years, the siblings’ lo-fi, idiosyncratic HBO anthology series “Room 104,” set within the four walls of a multivalent room at an anonymous roadhouse, has served as a stage for filmmakers like Sarah Adina Smith, Josephine Decker, Ross Partridge, Lila Neugbauer, and Macon Blair; each story, naturally, is unique from the others, embracing such a range of aesthetics, approaches, and genres that taken as a whole, the show could and maybe should be identified as a kooky lab experiment conducted for an audience.
