Jason Stern: Last News

Lou Reed was the H&R Block of classic rockers: The man kept his receipts.In fact, “Lou Reed: Caught Between the Twisted Stars” — an exhaustive exhibit that opens at the New York Public Library for the Performing Arts on Thursday — displays just how diligent the “Walk on the Wild Side” icon was about retaining proof of his purchases. One of the showcased receipts is even for the studded dog collar he wears on the cover of his 1974 live album “Rock ’n’ Roll Animal,” which Reed — in true New Yorker fashion — bought from the West Village sex shop the Pleasure Chest.“His father was an accountant and taught Lou to keep receipts, keep records and all that sort of thing,” said curator Jason Stern, who was Reed’s assistant in his final years and now works with his widow, Laurie Anderson.

Jem Aswad Senior Music Editor Considering their short lifespan and relatively slim discography, the Velvet Underground may be the most thoroughly excavated and documented rock band of their era: Nearly every studio and concert recording, acetate and demo has been scrutinized, digitized and optimized for the many awesome boxed sets that have been released since the world caught up with the group’s brilliance in the 1980s, a dozen-odd years after they split up. The foundation of that brilliance, of course, is Lou Reed’s songwriting, which combines a novelist’s gritty realism with equally confrontational rock music, but also includes soft, vulnerable songs like “Pale Blue Eyes” and “I’ll Be Your Mirror” — songs that are all the more poignant because you can sense, somehow, that the sensitive soul who wrote them isalso kind of an asshole.