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‘To Leslie’ Review: Andrea Riseborough Takes Raw Command in a Lacerating Drama of Alcoholism Run Amok
Owen Gleiberman Chief Film CriticFor an actor, there’s an obvious showboat appeal to playing a serious out-of-control drunk. You can fight, you can rage, you can tap your inner party animal, you can rotate through emotions like a human mood ring, you can descend into the kind of degraded dishevelment that’s the lower-depths version of an awards-bait transformation. Yet to give a truly remarkable performance as an alcoholic, you have to make good on the old line about it — that someone who’s drunk is working hard not to act that way.
