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‘Dear Comrades!’ Review: Andrei Konchalovsky’s Scintillating, Surgical Exposé of Khrushchev-Era Oppression
Jessica Kiang How do you commemorate a shameful history long suppressed? One way is to render it in black and white images so stark there’s nowhere for the shame to hide, a feat achieved with stunning clarity by Andrei Konchalovsky’s perversely beautiful and coldly furious “Dear Comrades!” (exclamation point ironic). Meticulous and majestic, epic in scope and tattoo-needle intimate in effect, this scrupulous recreation of the lead-up to and aftermath of the Novocherkassk massacre six decades ago is excoriating proof that not all filmmakers are made sloppy or slipshod by anger.
