Wine forgery is rife – here's how to avoid it

Mixmag, the organiser of two illegal raves in the national park – on June 25 and July 2 this year – has been banned from the area for 12 months under a Community Protection Warning (CPW).Sergeant Max Priestley said: “Issuing the Community Protection Warning with the support of our Antisocial Behaviour Team is a great success, made possible by our collaborative response to these illegal events.”Priestley went on to praise local resident Jennifer Duke, who alerted authorities to the raves. He said: “Jennifer and local residents like her are our essential eyes and ears to provide evidence after events and – ideally – intelligence before they happen so we can stop them before they start.”A report from Somerset Live says that if the individual breaches the ban, they could face arrest and jail time.Police have now enforced locals to patrol the area during the summer months.

Kelly Ripa revealed that the chapters about her late co-host Regis Philbin in her new book Live Wire were the 'hardest' to write while promoting it Thursday on a talk show.The 51-year-old daytime talk show host, while wearing a short black-and=white polka dot dress, discussed Regis, who died at age 88 in 2020, while appearing on Watch What Happens Live with Andy Cohen on Bravo. Andy, 54, said he was blown away over details in the book about her contract restrictions when she first joined the live morning show with then host Regis in 2001. New book: Kelly Ripa revealed that the chapters about her late co-host Regis Philbin in her new book Live Wire were the 'hardest' to write while promoting it Thursday on a talk show'You couldn't bring your own hair and make up team, ' Andy said. There was no budget for wardrobe.

Jessica Kiang In a gated compound camouflaged by the thick, dripping vegetation of inland Indonesia, all is quiet. A curtain may stir. The hushed commentary on a TV chess match may mutter indistinctly. An insect or two may chirrup. But mostly, this dark-cornered, sinister place, which is being minded by callow young caretaker Rakib (Kevin Ardilova), feels eerily still and expectant, like a spiderweb waiting for the return of its spider. Makbul Mubarak’s “Autobiography” — the Indonesian filmmaker’s impressive debut — gives a “Godfather”-style, power-corrupting-the-naive story the Conradian overtones of “Apocalypse Now.” But with its powerful sense of mood, it emerges from Coppola’s shadow by summoning evocative, specific shadows of its own, out of Indonesia’s troubled, genocidal, terrifying past.

Courtney Howard We may joke that teen girls are possessed, but the creators behind “My Best Friend’s Exorcism” take that concept to heart. Based on the book by Grady Hendrix, director Damon Thomas’ adaptation is centered on a pair of inseparable best friends dealing with a shattering blow when one of them is overtaken by a satanic spirit. Though this ’80s-set horror-comedy takes an old-school approach to capturing the horrific happenings, the stunts are lackluster and the comedic hijinks are a tiresome bore. With very little interest conjured from the filmmakers to properly develop their characters, there’s little incentive to stay interested. Abby’s (Elsie Fisher) greatest fear in life is losing her best friend Gretchen (Amiah Miller). Little does she know their relationship will be put to the test, and not solely because Gretchen’s scheduled to move over the summer. The pair are in a world of their own, a late-’80s dreamland filled with Aqua Net fumes, bombastic fashions and pop star crushes. But they occasionally make room for their classmates, including painfully shy Glee (Cathy Ang), brash bigot Margaret (Rachel Ogechi Kanu) and her obnoxious jock boyfriend Wally (Clayton Royal Johnson).

A heartfelt, hilarious classic Hollywood-style romantic comedy, Bros (★★★★☆) doesn’t screw around with the formula of forebears like When Harry Met Sally or You’ve Got Mail. Rather, the movie — produced by Judd Apatow, directed by Nicholas Stoller (Forgetting Sarah Marshall), and co-written by Stoller and star Billy Eichner — delivers fresh takes on tropes that worked for those films, while trafficking in jokes and situations they never touched.With tart dialogue and earnest intent, Bros leans into the romance of the giddy first kiss, and the determined dash across town to declare one’s love right now in front of an audience of awww-ing friends who will dance out the scene in a joyful montage.The filmmakers’ attention to genre detail includes layering Bros with that rare, underrated quality of a good romantic comedy: a believable resistance to romance. To stir the pot, somebody or something has to be standing in the way of happily ever after.Here, the culprits are our lead pair of lovebirds, commitment-shy New Yorkers Bobby (Eichner) and Aaron (Luke Macfarlane), who at least commit to a text-assisted dance of hooking up and sort of dating, after meeting at a club.Their rocky progress towards a climax, or several climaxes, follows a familiar rom-com path, but with both the rom and the com rendered through the specific lens of Bobby and Aaron’s modern gay experience.

down. When offered £750,000 for a non-fiction book, he was so appalled he withdrew from the deal completely. To date, his books have sold 100 million copies – and not only to spotty teenagers called Nigel, though they may be the stereotypical Discworld fan.

Owen Gleiberman Chief Film Critic In “The Munsters,” the director Rob Zombie makes a game attempt to pass off his amateurishness as attitude. It’s like watching a Tim Burton film with the cheekiness turned up to 11 and the film technique dialed down to 2. Yet “The Munsters,” the family-of-ghouls ’60s sitcom that Zombie is adapting, was such a ticky-tacky piece of gothic bat-house surrealism that the movie, broad and slovenly as it is, works more than it doesn’t. The film is a lot like its hero, Herman Munster: benignly dim-witted, Day-Glo in color, top-heavy with tomfoolery, lumbering in one direction and then the next, always cracking itself up in an innocently aggressive monster-mash way. “The Munsters” debuted in 1964, in the middle of the age of theater-of-the-absurd American sitcoms, yet the show, if anything, was less corny, less obvious, and lighter on its feet than this overstuffed update/reboot, with its Famous Monsters of Filmland cameos and contempo catch phrases. Instead of taking all his cues from the show, Zombie, who wrote the script (you can feel his joy in giving Herman the groan-worthy vaudeville one-liners he delivers as if they were gems), has dreamed up the Munsters’ origin story. (As if anyone was asking for that.) It’s all about how Lily (Sheri Moon Zombie), a maiden vampire with two-tone hair and an undead glow, living with her vampire dad The Count (Daniel Roebuck) in a Transylvania castle of psychedelic chintz, recovers from her life of bad dates with bad monsters — we see one with Orlock, the rat-man bloodsucker of “Nosferatu,” played by Richard Brake as the cuddliest of creeps.

Daniel D'Addario Chief TV Critic “East New York” fits neatly into CBS’ battery of dramas about law enforcement, from “The Equalizer” to the “CSI” revival. But credit it with this much: In its roundabout way, it has more on its mind than one might expect at first blush. Set in a Brooklyn neighborhood where the beginnings of gentrification rub up uncomfortably against families who’ve lived there for generations, “East New York” is relatively careful in its presentation of cops and policing as flawed tools in need of rethinking, and boasts a charismatic lead who can make you believe, for an hour of primetime, that such change might be possible. We meet Regina Haywood (Amanda Warren of “The Leftovers” and “Dickinson”) as she’s getting a manicure; the robbery of a dollar van outside gets her attention, and draws her out to the street. She’s very early in her tenure as precinct chief, and this comes as a wake-up call of sorts; Regina is, soon enough, working to reduce quotas for arrests on petty crime and chicanery in the interrogation room, all with a single-minded focus on addressing major crime’s root causes. Her long-term goal is for the cops she oversees to live in the neighborhood they defend; she’s willing to start with placing an eager underling, Officer Brandy Quinlan (Olivia Luccardi), in an apartment procured by city housing.

David Benedict There is an opera of “The Crucible.” Written by Robert Ward, it won the 1962 Pulitzer Prize. But this is not the opera… or is it? Lyndsey Turner’s grandiloquent National Theatre production of Arthur Miller’s imperishable 1953 classic is so overloaded with singing from the opening period-style choral folk song to a final major-key angelic chorus — not to mention a permanently portentous soundscape — that you could be forgiven for mistaking it for the opera. While some 69-year-old plays need dramaturgical assistance to be successfully revived, this is not one of them. Turner’s decision to “assist” the play is also there in her equally operatic visual response. In 2016, she and designer Es Devlin transformed the naturalism of Brian Friel’s masterpiece “Faith Healer” at the 250-seat Donmar Warehouse by encasing the three-sided stage with a curtain of pouring rain lit so that the water gleamed like a cage of hard, white light. It was a fitting metaphor for Friel’s fictional village. Now reused for “The Crucible” in the 1,029-seat Olivier amphitheater, opening and closing the play and punctuating the scene changes, it seems less metaphorical, more an over-displayed effect.

Jenna Dewan is getting steamy in a new film, executive produced by Kelly Ripa and Mark Consuelos. In Lifetime’s upcoming movie,, Dewan plays a fitness instructor who moves into a small town to open a pole dancing business -- which doubles as a prostitution ring.  When it comes to working with the beloved Hollywood couple, Dewan couldn’t enjoy it more. “I’m obsessed with them,” she told ET’s Deidre Behar at the Variety Power of Women event in Los Angeles on Wednesday.

out on Disney+ 29 years later, is much, much worse.Running time: 104 minutes. Rated PG (action, macabre/suggestive humor and some language).

Dr. Frank Rubio traveled to the International Space Station on a Russian Soyuz spacecraft from Kazakhstan.

At the very least, the Mouse House avoids the laziest possible mistake with “Hocus Pocus 2.” This sequel to the childhood and camp classic, which arrives nearly three decades after the original bewitched audiences, does not amount to just a slightly updated remake of the first film for a cynical cash grab. But all that really means is opening up director Anne Fletcher and screenwriter Jen D’Angelo to make a different set of mistakes.

Kelly Ripa and her husband Mark Consuelos have had some fun times over the years, but her recent retelling of one of their adventures left their fans speechless.MORE: Kelly Ripa divides fans with very cheeky alternative book coverOn an episode of Live with Kelly and Ryan, she recounted an incident that occurred when the couple were filming a show in Las Vegas when their three kids were still quite young.VIDEO: Kelly Ripa and Mark Consuelos' Love Story"Mark and I were…drinky-drinky, happy-happy," she recalled with a shy grin, although things started to go hilariously downhill from there."We go to our room. We had a babysitter, we went out for the night and they order room service.

Peter Debruge Chief Film Critic What strange sorcery is this that “Hocus Pocus” — a so-so comedy turned campy cult favorite starring Bette Midler, Sarah Jessica Parker and Kathy Najimy as absolutely fabulous Salem witch sisters — should be getting a sequel nearly three decades after its 1993 release? At the time, Variety speculated that, were it not for the film’s three stars, “‘Hocus Pocus’ wouldn’t seem out of place on the Disney Channel, and perhaps belongs there.” (Its director, Kenny Ortega, would go on to helm the “High School Musical” franchise for the cabler.) In a sense, that’s what’s happened with this follow-up, aimed to breathe some life into the graveyard that is Disney+. The sequel’s existence owes less to popular demand (the original earned a respectable $39.3 million stateside and went on to become a Halloween season staple) than the realization that the film had tapped into preteens’ fascination with witchcraft before Harry Potter came along. It can be no coincidence that the new feature lifts so much of its look and feel from that franchise — with eye of newt, a dead man’s head and some aspects of “The Craft” tossed in for good measure. In “Hocus Pocus 2,” the three teens called upon to save Salem from the Sanderson sisters’ return are themselves budding witches, which means the movie is less about scaring kids away from magic than indulging their post-Potter junior wizarding fantasies.

A former Hollyoaks actor has appeared in court charged with rape and child cruelty offences.

Channel 4 soap Hollyoaks has appeared in court on rape and child cruelty charges.Rizwan Khan, 37, has been accused of a number of sexual offences.The Middlesborough-based actor, who has also starred in ITV drama Vera, appeared at Newton Aycliffe Magistrates' Court on Wednesday (September 28) for a short hearing.The court heard Khan had been charged with five counts of rape, one section two offence of the Sexual Offences Act and one count of causing unnecessary suffering/injury to a child, reports Gazette Media.During the hearing, Khan spoke only to confirm his name, age and address.Wearing a black jumper and white shirt, he neglected to enter a plea to the charges - six of which are indictable only and must be heard at a higher court.He was granted unconditional bail and ordered to next appear at Teesside Crown Court on October 26.Khan began his acting career at the age of 34.In 2019, he joined the cast of Hollyoaks and made several appearances as Doctor Peak.Khan also played a parent in the 2021 film adaptation of hit West End musical Everybody's Talking About Jamie alongside stars including Sarah Lancashire and Richard E.

Rizwan Khan has been charged with five counts of rape, one section two offence of the Sexual Offences Act, and one count of causing unnecessary suffering/injury to a child. The 37 year old spoke only to confirm his name, age and address during the short hearing at Newton Aycliffe Magistrates' Court on Wednesday.

READ MORE: Ched Evans accepts almost £1 million from lawyers who represented himEvans served two-and-a-half years behind bars, where he worked as a painter and decorator, and once released the Criminal Cases Review Commission announced it was reviewing his conviction.Eighteen months later, a retrial was ordered and the former Wales international was acquitted of all charges.A source told The Sun: "Natasha has stood by Ched through thick and thin and their wedding day showed that they have firmly put the past behind them. The couple couldn’t wipe the smile off their faces as they said ‘I Do’ in front of their closest family and friends."Evans later accepted an out-of-court settlement of around £800,000 with his original lawyers who defended him in his first rape trial.Prior to his acquittal, a move back to former club Sheffield United was scuppered after 150,000 people signed a petition urging the club not to sign him, while Olympic athlete Jessica Ennis-Hill demanded her name be removed from a stand at Bramall Lane should the Blades complete the move.