In adapting “White Noise,” filmmaker Noah Baumbach often felt like a “translator,” reaching into Don DeLillo’s epochal novel and pulling out as many elements of its expansive plot as possible while also finding “cinematic equivalents” for its distinctly postmodern style.
In conversation with actress Emily Mortimer this past Saturday during the 60th New York Film Festival, which had opened with “White Noise” the night before, Baumbach discussed the challenges of doing so, also touching upon his experiences working with younger actors and getting screenwriting advice from the Coens.
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