CANNES – It was a warm afternoon on la Croisette when Todd Haynes sat down to chat about his celebrated new drama, “May December.” The Killer Films produced project still hadn’t been acquired yet (Netflix picked up North American rights for a reported $11 million), but the “Carol” auteur was in good spirits.
Maybe he’d read the reviews. Maybe he hadn’t. But his gut instinct that the Natalie Portman and Julianne Moore two-fer was special was clearly right on.
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