‘The Pot-Au-Feu’ Review: Tran Anh Hung Returns With An Awe-Inspiring Ode To Pleasure In All Its Forms [Cannes]
theplaylist.netThere has been a lot of talk in recent years about cooking as a form of care, an idea intrinsically linked to the feminist revaluation of the work usually performed by women, which is most often unremunerated yet essential to day-to-day living.
In cinema, this has translated to a surge of interest among film writers around the place and representation of cooking and eating on screen; a focus that represents another avenue for reclaiming a place for women within cinema, and, more generally, for recognizing that dynamics of care (as opposed to violence or exploitation) are all around us already, if we only look.
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