co-creative director, Raf Simons. The truly disruptive element was the questions from the public that followed. The clothes exuded a similar lack of ease – white nylon shell tops, slim trousers, rucksacks and calf-length, flared skirts with almost no surface embellishment, apart from flower, leaf and tree silhouettes.
But a lemon, buttonless coat here – an industrialised take on Fifties opera coats – here, a pale pink dress there added warmth if not cosiness.
LAHow do you create a sense of ease and not make it about a pair of jogging pants and a fleece? Silvia Fendi took a Forties silhouette and pumped it full of air.
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