Cannes 2023: Last News

Somewhere in the third hour of Steve McQueen’s documentary “Occupied City,” the camera slowly dollies left over a list of names in glowing green print on a black background, enumerating the thousands of Jews deported from Amsterdam during the Nazi occupation. A moment of silence in the audio mix announces this as an important shot, an occasion to consider the enormity of the loss that this four-and-a-half-hour film itemizes with near-comprehensive diligence.

The use of body horror allegories in cinema to address the physical, physiological, and mental changes brought on by puberty could hardly be called original. However, by delightfully and intelligently remixing symbols and metaphors Malaysian director Amanda Nell Eu refreshes the concept in her zesty debut feature “Tiger Stripes.”  The term “body horror” could in fact be considered a misnomer in this case, as our fierce lead protagonist Zaffan (Zafreen Zairizal) doesn’t undergo anything as monstrous as growing a car in her belly or a biogun out of her hand.

At its best moments, the extremely straightforward construction of Cédric Kahn’s “The Goldman Case” allows for fascinating dynamics and images to occur apparently unforced, as if by themselves, for the viewer to seize on their own. The film, which has just opened the Directors’ Fortnight section of this year’s Cannes Film Festival, is refreshing for this bared-down, almost documentary-like approach — especially because it focuses on an incredibly complex man who needs all the space he can get to show everything that he is, in all his apparent contradictions.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch This revelation takes place progressively, over the course of the almost surgically precise and aggressive trial that takes up most of the film’s runtime.

She’s won an Academy Award and dealt with toxic, misogynist fans over the $1 billion success of “Ms. Marvel.” Still, we’re not 100% sure Brie Larson knew what she was getting into when she was asked to join the Cannes Film Festival Jury.

This year, the Cannes Film Festival actually broke its own record for the number of female filmmakers in the official competition. That’s great news for an event that has come under fire in recent years for having less diversity and inclusivity than other prestigious festivals.

Once again, the world’s media, sales agents, acquisition execs, cinephiles hoping for a free ticket, and wanna-be celebrities crashing the famed red carpet have descended upon Cannes. And unlike 2022 where the festival was about 90% back to pre-pandemic norms, the 76th edition is expected to be a time jump back to better days when the Cannes Film Market was hopping and there were conflicting parties to jump to on la Croisette.

Stateside, audiences may know Amat Escalante best for directing episodes of “Narcos: Mexico” for Netflix. But Escalante deserves more recognition than that, having excellent independent dramas like 2013’s “Heli” and 2016’s “The Untamed.” And Escalante returns to the Croisette for the first time since “Heli” premiered in competition for the Palme d’Or with his new film, “Lost In The Night.” READ MORE: Cannes Directors’ Fortnight 2023 Lineup Includes New Films From Hong Sang-soo, Michel Gondry & More As a late addition to the Cannes line-up, “Lost In The Night” won’t have its world premiere in competition for the fest’s top prize, instead premiering in the Cannes Premiere section.

Just because a film premieres out of competition at the Cannes Film Festival doesn’t mean it’s not a must-watch. For example, take the fest’s Un Certain Regard section, which aims to curate films that exemplify the richness and diversity of different cinema cultures worldwide.

Patricia Highsmith‘s novels have been the source of several incredible film adaptations over the years, including “Strangers On A Train,” “The American Friend,” and “The Talented Mr. Ripley,” among others.

As the Cannes market heats up before the Cannes Film Festival starts next Friday, another film goes up for sale on the Croisette. Variety reports that Village Roadshow Pictures joins the market now with the epic romance “Eternal Return.” And the film has three intriguing actors as its leads: “Aladdin” breakout actress Naomi Scott, the legendary Jeremy Irons, and “Game Of Thrones” alumnus Kit Harington.

Just because a film premieres out of competition at the Cannes Film Festival doesn’t mean it’s not a must-watch. For example, take the fest’s Un Certain Regard section, which aims to curate films that exemplify the richness and diversity of different cinema cultures worldwide.

The Cannes Film Festival can be daunting. Sure, there are always 25-plus titles you know, but dozens of titles you’ve never heard of and don’t know if they’re worth seeing or covering.

Despite only releasing two previous feature films, filmmaker Wei Shujun has already become a favorite of the Cannes Film Festival. And now, with his third film, “Only the River Flows,” the relatively new filmmaker has scored a Cannes Hat Trick (to borrow a sports phrase).

Legendary Japanese actor-director Takeshi Kitano returns to the Croisette for the first time this year since 2010, when his film “Outrage” competed for the coveted Palme d’Or. And while “Kubi,” Kitano’s latest directorial effort, may premiere out of competition at the 76th edition of the Cannes Film Festival this month, The Film Stage still think it’ll be a festival highlight.

The 76th Festival de Cannes already had a jury president in two-time Palme d’Or winner Ruben Ostlünd. It now has eight more members to fill out its jury.

It’s been nearly four years since Todd Haynes released a new narrative feature film. Thankfully, that’s changing later this year with the release of his new film, “May December.”  READ MORE: ‘Superstar’: Todd Haynes Says His Banned Carpenters Movie May Finally Get An Official Release And with a Cannes debut on the horizon for Todd Haynes’ “May December,” Variety has just published a first-look photo of the new film which stars Julianne Moore and Natalie Portman.

As the 76th edition of the Cannes Film Festival looms, a cavalcade of previews for films in competition for the coveted Palme d’Or arrives. Here’s one from the first wave of titles: Karim Aïnouz‘s “Firebrand,” which stars Alicia Vikander as Katherine Parr, the sixth and last wife of England’s King Henry VIII.

As Martin Scorsese‘s “Killers Of The Flower Moon” approaches its world premiere at the Cannes Film Festival next month, Osage News reports that Apple Original Films has three new images from the film. It’s about time, too: only one official still emerged after the movie started production in Oklahoma two years ago, hardly enough to satiate anticipation for the upcoming film.

James Mangold‘s “Indiana Jones And The Dial Of Destiny” will have its world premiere next month at the Cannes Film Festival on May 18: a prestige showing for a prestige franchise. Or what was once a prestige franchise? Fifteen years after 2008’s “Indiana Jones And The Kingdom Of The Cyrstal Skull,” it’s hard to tell how much cultural caché Lucasfilm‘s storied series still has.

Pedro Almódovar is one of the greatest living filmmakers, and there aren’t many people out there who would disagree. And though his films have captivated audiences all over the world throughout his career, he has only barely dipped his toes into English-language filmmaking, debuting the short film, “The Human Voice,” in 2020.

A little under two weeks ago, the Cannes Film Festival unveiled its lineup for the upcoming event. However, as we know with film festivals, the initial lineup is far from complete and more films can be added at any time.