Sundance 2022 Preview: 20 Must-See Movies From The Festival

EMILY Atack stunned in a plunging dress as she filmed Celebrity Juice last night. The Inbetweeners star teamed the short frock with black boots as she strutted across the ITV2 set.

A PLACE In The Sun host Laura Hamilton has told how she is "overwhelmed with sadness" after her shock split with her husband of 13 years. The popular Channel 4 anchor, 39, admitted she and ex Alex Goward, with whom her relationship broke down last month, were on "different paths" in their lives.

Bamber Gascoigne, the first University Challenge host who became one of the UK’s most beloved TV quiz presenters, has died aged 87, his representatives confirmed to the BBC. Gascoigne died at his home in Richmond, London after a short illness and is survived by his wife Christina, who he was married to for more than 50 years.

Emilio Mayorga Rapidly emerging as one of Spain’s foremost hothouses for new producer and creative talent, the ECAM Madrid Film School’s Incubator program has chosen five titles for its 2022 program:“Last Night I Conquered the City of Thebes,” “Disposable,” “Macrame,” “Festina Lente” and “Ripli.”Launched to connect early career talent in Spain with Europe’s film industry, the 5th Incubator runs from Feb. 23 through July.The program will be overseen by writer-director Rafa Alberola, who serves as the new manager of  The Screen, ECAM’s industry initiative umbrella.This year’s lineup announcements comes as one Incubator project, Alauda Ruiz de Azúa’s “Lullaby,” is set to world premiere in Berlin’s Panorama section later this week.

Princess Diana's childhood home won't be inherited by her two sons Prince William and Prince Harry. Instead the Northamptonshire property will be inherited by 27-year-old actor Louis Spencer.

Hollyoaks as Luke Morgan's (Gary Lucy) ex-wife Scarlett Morgan.The 40-year-old actress will be back for a guest appearance later this year, Lime Pictures has confirmed.Fans of the Channel 4 soap will remember her previous outing when she entered the village to sign divorce papers and check in on her son, Ollie Morgan (Gabriel Clark).Regarding her return, Susie said: "So happy to be bringing Scarlett back to Hollyoaks, really looking forward to a brilliant new storyline and seeing everyone."Scarlett arrived in the village in January 2018, days before Luke's wedding to Mandy Richardson.Luke tried to stall the wedding whilst Scarlett attempted to ruin the wedding all together. The groom and Scarlett's son, Ollie, later arrived in the village and told Mandy that Scarlett and Luke were still married and he was their son.

Rolling Stones magazine, Jennifer looked sensational as she donned a black shimmery satin blazer, which was completely frontless, revealing her eye-popping cleavage. The show-stopping jacket also featured huge cut-outs at the side, revealing her curvaceous hips.She paired the look with on-trend, low-slung trousers, which she pulled at the waistband of in a tantalising display.

He’s the rising star at the forefront of brand new ITV drama No Return. But the actor who plays Sheridan Smith’s on screen son Noah also has a very famous family behind the scenes. Actor Louis Ashbourne Serkis, who stars as the teen accused of sexually assaulting another boy while on holiday with his family in Turkey, is the son of Hollywood star Andy Serkis and Bridgerton actress Lorraine Ashbourne.

One part autobiographical exorcism, two parts social warning, and a double-serving of real-world body horror, “Happening” combines just a handful of elements into a potent force. A bracing lead performance paired with patient yet informative directing accomplishes what few versions of this story could: it allows the story to tell itself without any heavy-handed monologuing or obsequious showboating.

Centuries-old grandiose red brick, white-trimmed buildings fill the frame at the start of Mariama Diallo’s striking debut feature film “Master.” Ivy-clad collegiate walls are a staple in the horror genre; the grounds are confined, and there’s something inherently creepy about old buildings. But here, Diallo uses this setting not just for aesthetic frights but because it is these very venerated walls from which the terror at the center of her story finds its origin.

Centuries-old grandiose red brick, white-trimmed buildings fill the frame at the start of Mariama Diallo’s striking debut feature film “Master.” Ivy-clad collegiate walls are a staple in the horror genre; the grounds are confined, and there’s something inherently creepy about old buildings. But here, Diallo uses this setting not just for aesthetic frights but because it is these very venerated walls from which the terror at the center of her story finds its origin.

“Mom, do you think I can be political?” asks teenage YouTube musician Ziggy Katz (a wide-eyed Finn Wolfhard) to his uptight mom Evelyn (the consistently stellar Julianne Moore). There’s no shortcut to sounding smart, she replies, you have to do the work.

Consider these scenarios: A woman who is unable to get an abortion even though she has a life-threatening condition because of her pregnancy. Women banding together to run underground abortion clinics because the procedure is illegal in their city or state.

Beginning on the eve of music manager Doris Muñoz’s 26th birthday, Isabel Castro’s lyrical documentary, “Mija,” uses Muñoz’s story — both her status as a manager of Latinx artists and as the only American-born member of her undocumented family — to explore the complicated dynamics that plague undocumented families. Adopting a fly-on-the-wall approach that prioritizes Muñoz’s subjectivity — sometimes to a fault — “Mija” is nevertheless a personal and sincere portrait of Muñoz’s struggles, and her ability to adapt in the face of changing social and professional upheavals.

On July 7, 2017, former Marine Brian Brown-Easley, dressed in a grey hoodie, brandishing a bruised cheek underneath his glasses, walked into an Atlanta area Wells Fargo bank claiming to possess a bomb. Politely he allowed the majority of the bank’s customers and employees to leave, except for two.

Sundance Film Festival is offering its expansive slate online. Festival Director Tabitha Jackson and Producing Director Gina Duncan initially hoped to do a hybrid festival, offering in-person and virtual screenings. However, amid the Omicron surge, filmmakers and audiences are connecting in the comfort and safety of their own homes.

Yellow wildflowers in the dusty brown dirt, multi-colored rolling hills, and a green-blue lake set the stage for writer-director Max Walker-Silverman’s debut feature film “A Love Song.” A rumination on love found and lost, it’s also a hymn to the beauty and wonder of Walker-Silverman’s native Colorado. Cinematographer Alfonso Herrera Salcedo shoots the film with the hazy, yet hyper-defined colors of an old picture postcard.

We should have seen this coming. After “Promising Young Woman” made a splash at Sundance two years ago, the festival was bound to feature more films (cl)aiming to undermine expectations and play with films tropes to craft a fiercely feminist take-down of the patriarchy.

“Curiosity is stronger than fear,” utters Katia Krafft, via an actress giving voice to her writing, underscoring images of unimaginably scorching lava exploding around her. With her endearingly reckless husband Maurice Krafft, they form the one-of-kind couple that blazes through the arresting documentary “Fire of Love” from director Sara Dosa.

Carey Williams’ 2018 Sundance award-winning short, “Emergency,” opens on a simple premise: A trio of underrepresented college roommates discover a white girl unconscious on their living room floor. Afraid to call the police for fear of potential violence, they suggest options to find help without losing their lives.

“Mom, do you think I can be political?” asks teenage YouTube musician Ziggy Katz (a wide-eyed Finn Wolfhard) to his uptight mom Evelyn (the consistently stellar Julianne Moore). There’s no shortcut to sounding smart, she replies, you have to do the work.