‘Rifkin’s Festival’ Review: Woody Allen’s Latest, Yet Again, Proves His Best Days Are Behind Him
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theplaylist.netWoody Allen’s decade-long downward spiral began after making “Midnight in Paris” in 2011 and following it up with a series of movies ranging from bad to worse to worse than that: “Irrational Man,” “Wonder Wheel,” “Cafe Society,” “A Rainy Day in New York.” At least we have the minor gift of “Blue Jasmine,” a comparatively fine movie according to the pathetic standard set by the rest, to counterpoint the nearly annual stream of Allen’s shrugging dross, but the emphasis is on “minor.” What a difference a change in era made for one of American cinema’s most influential directors.
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