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variety.com
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‘The Fabelmans’ Review: Steven Spielberg Takes a Sweet, Heavily Filtered Selfie of His Formative Years
Peter Debruge Chief Film Critic No director has done more to deconstruct the myth of the suburban American family than Steven Spielberg. Dissertations have been written and documentaries made on the subject. And now, at the spry young age of 75, Spielberg himself weighs in on where his preoccupations come from in “The Fabelmans,” a personal account of his upbringing that feels like listening to two and a half hours’ worth of well-polished cocktail-party anecdotes, only better, since he’s gone to the trouble of staging them all for our benefit. Spielberg’s a born storyteller, and these are arguably his most precious stories. From the first movie he saw (“The Greatest Show on Earth”) to memories of meeting filmmaker John Ford on the Paramount lot, this endearing, broadly appealing account of how Spielberg was smitten by the medium — and why the prodigy nearly abandoned picture-making before his career even started — holds the keys to so much of the master’s filmography. More similar to Woody Allen’s autobiographical “Radio Days” than it is to European art films such as “The 400 Blows” and “Amistad” (the more highbrow models other directors typically point to when re-creating their childhoods), “The Fabelmans” invites audiences into the home and headspace of the world’s most beloved living director, an oddly sanitized zone where even the trauma — which includes anti-Semitism, financial disadvantage and divorce — seems to go better with fresh-buttered popcorn.
deadline.com
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‘The Fabelmans’ Toronto Review: Steven Spielberg’s Cinematic Memoir Becomes Glorious Tribute To Art And Family
There is definitely a trend of late for film directors to take a look in thinly disguised cinematic memoirs of their early influences that shaped the artist and person they have become. Kenneth Branagh with Belfast and Paolo Sorrentino with The Hand Of God did it last year. Of course there is Alfonso Cuaron’s Roma, others over the years. Sam Mendes, while not drawing a portrait of his younger self revisits the movie palaces of his youth in another 2022 offering, Empire Of Light, which premiered last weekend at Telluride and will also hit the Toronto International Film Festival. TIFF is also where the man I recently described as the GOAT, Steven Spielberg, has chosen to debut his own story where the names have been changed but the story is  clearly his. The Fabelmans basically chronicling his early Jewish family life and infatuation with making movies  had its World Premiere Saturday night, the first of Spielberg’s directed movies ever to premiere at a film festival. This one seems entirely appropriate, and it has been gestating in the director’s head ever since he and his co-writer Tony Kushner started kicking it around during the making of Lincoln over a decade ago. He says he finally made it primarily as a way to bring his late parents Leah and Arnold (to whom the film is dedicated) somehow back to his life. Movies can do that, and no one knows it better than Steven Spielberg.

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