Nick Vivarelli International: Last News

Nick Vivarelli International Correspondent Middle East satellite and streaming platform OSN Group has extended its relationship with Warner Bros. Discovery forging a new multi-year licensing deal under which it will become the exclusive home for HBO content in the region. In addition to HBO shows, such as “Succession,” the renewed agreement has been expanded to cover additional content and channel offerings from Warner Bros. giving OSN premium access to recent blockbuster movie hits such as “The Batman,” “Dune,” “The Matrix Resurrections,” and “The Suicide Squad.” The deal was announced in Dubai with “Succession” star Brian Cox on hand.

Nick Vivarelli International Correspondent Italian star author Robert Saviano, whose mob exposé “Gomorrah” spawned both Matteo Garrone’s eponymous prizewinning movie and the groundbreaking crime series that plays stateside on HBO, is making his directorial debut. Saviano will direct “I’m Still Alive,” an animation adaptation of his graphic novel illustrated by Israeli artist Asaf Hanuka (“Waltz With Bashir”). “Still Alive” examines the anti-mob activist’s life under armed guard since being forced to live with police protection shortly after 2006 when Saviano’s account of the inner workings of the Neapolitan Camorra crime syndicate was published. Just like Saviano’s graphic novel, “I’m Still Alive” will feature illustration’s by Hanuka, an Eisner-winning cartoonist who is known, besides “Bashir,” for his autobiographical strips “The Realist” and for graphic novel “The Divine.”

Nick Vivarelli International Correspondent Warning: This story contains a graphic image. David Cronenberg has made a short film featuring female wax corpses made during the 18th century in Italy. The wax figures were intended for medical studies, in order to train surgeons prior to operating on real bodies. The Canadian director, known as the father of body horror thanks to films such as “The Fly,” “eXistenZ,” and his latest pic “A History of Violence,” has been recruited by Italian fashion house Prada to shoot the short film. It features anatomical wax works from the La Specola museum in Florence, one of the oldest scientific museums in Europe. The museum is currently being renovated and is closed to the public.

Nick Vivarelli International Correspondent Tom Cruise and director Christopher McQuarrie are shooting flight scenes for “Mission: Impossible – Dead Reckoning Part Two” on a U.S. aircraft carrier in the Adriatic Sea, which Cruise reached by helicopter from the Italian port city of Bari, where he jetted into on Saturday. Confirming Italian press reports, the head of the Apulia Film Commission Antonio Parente told Variety on Thursday that Cruise flew into Bari, which is the Apulia region’s capital city, on Saturday Feb. 25. After spending the night in Bari’s 5-star Hotel Delle Nazioni, Cruise on Sunday hopped on a private helicopter from the Bari airport to go shoot scenes for the eighth “Mission Impossible” installment on an U.S. aircraft carrier “which is probably the U.S.S. George H.W. Bush, but we are not sure,” Parente said.

Nick Vivarelli International Correspondent Prior to becoming an actor, Giancarlo Giannini, who on March 6 will be getting a star on the Hollywood Walk of Fame, studied electronic engineering, a skill he’s been known to put to good use even on movie sets. “I was meant to start working on the first artificial satellites, or on the first computers at IBM,” the Italian film and theater thesp recalls. But then Giannini enrolled in acting school and soon was given major roles, first by Franco Zeffirelli and then by Lina Wertmüller, with whom he went on to make nine movies that brought them both international fame. “I owe it to Lina that I will be getting the star. The only other Italian actor who has one is Rudolph Valentino,” he notes.

Nick Vivarelli International Correspondent Italy’s 2,500 dubbing industry workers are on a protracted strike demanding higher wages, less frenzied work conditions, and protection against digital dubbing devices, which they claim threaten their jobs. The country’s unions representing Italian voice actors and dubbing directors have been on the war path since Feb. 21. On Tuesday they announced the strike will continue for at least another week. The unions are demanding that standard contract wages that have remained unvaried for the past 15 years be raised. But they are also clamoring for the right to be able to work at a slower pace, claiming that “current production rhythms are not conducive to [good] quality of work and of life,” according to a statement issued by Italian dubbers’ union ANAD.

Nick Vivarelli International Correspondent Khaby Lame, the Senegalese-born Italian social media personality who is the world’s most followed content creator on TikTok, has joined “Italia’s Got Talent” as a juror. Lame is a former factory worker in Italy who after being laid off from his job in March 2020 launched a TikTok channel in which he performed absurdly comic skits that went wildly viral. The TikTok star whose comedy bits started with ironic takes on “life hacks” relies on iconic facial expressions and body language in videos delivered without speaking so that the humor is understood universally. The short-form comedy video virtuoso, who has more than 154 million followers on TikTok, will now be making his debut as an Italian TV personality on the hit talent show.

Nick Vivarelli International Correspondent CNN on Monday went live from a new state-of-the-art broadcasting facility in Abu Dhabi being touted as a new chapter in the network’s commitment to the Middle East.  The new high-tech CNN bureau, with a 10-million-pixel video wall and a suite of fully robotic HD cameras, is located on Abu Dhabi’s artificial Yas Island in the new Yas Creative Hub established to lure media industries to Abu Dhabi by twofour54, the government entity which is implementing the UAE’s capital city’s media and entertainment industry effort. The new CNN hub, which also includes four editing suites and a modern open-plan newsroom, increases the scale and scope of its UAE operation boosting Abu Dhabi’s role as “one of the network’s key international production hubs, alongside Atlanta, New York, London, and Hong Kong,” CNN said in a statement.

Nick Vivarelli International Correspondent Italian actor-turned-director Andrea Di Stefano, whose gritty police drama “The Last Night of Amore” is launching from the Berlin Film Festival’s Berlinale Special Gala section, reps an Italian anomaly. “Amore,” which refers to a police lieutenant named Franco Amore, oddly marks Di Stefano debut directing an Italian-language film after helming well-received U.S. indie thrillers “Escobar: Paradise Lost,” with Benicio del Toro, and “The Informer.”  Sumptuosly shot in 35mm film and set in present-day Milan, “Last Night of Amore” harks back to Italian genre films of the 70s and 80s but has a fresh contemporary feel. The plot sees the good lieutenant, played by Italian A-lister Pierfrancesco Favino (“The Traitor,” “Nostalgia”) being called on the night before retirement to investigate a crime scene where his best friend and long-time partner Dino has been killed during a diamond heist. Complications ensue, things get very frantic, and we learn how his love for his wife Viviana, played by Linda Caridi (“The Ties”) will help Amore survive the longest and most challenging night of his existence.

Nick Vivarelli International Correspondent In the first few months of 2020, huge swathes of Northern Italy were hit by the COVID-19 virus. Soon the death toll in the city of Bergamo reached such heights that an army convoy had to transport coffins out because its cemeteries and crematoriums were full. In his powerful doc “The Walls of Bergamo,” which world premieres on Friday in Berlin’s Encounters section, prominent Italian documentary director Stefano Savona – whose “Samouni Road” won the Golden Eye prize in 2018 at Cannes – and a team of student filmmakers take the pulse of the city when it is on the brink of collapse and, subsequently, as Bergamo begins its healing and recovery process.

Nick Vivarelli International Correspondent Italian animation auteur Enzo D’Alò – whose globally known works include “The Blue Arrow,” “Lucky and Zorba,” “Momo” and “Opopomoz” – is back with Roddy Doyle adaptation “A Greyhound Of a Girl” launching from the Berlin Film Festival’s Generation Kplus section. “Greyhound of a Girl,” which is D’Alò’s first English-language film, is about four generations of Irish women who embark on a car journey. One of them is dead, one of them is dying, one is driving, and the fourth is twelve-year old Dublin school girl Mary O’Hara. Mary shares her grandmother’s rebel spirit and love of cooking and is bravely dealing with the fact that her granny’s days are drawing to a close.

Nick Vivarelli International Correspondent The story of Italy’s most-wanted Mafia boss, Matteo Messina Denaro, whose recent arrest by police in Palermo after 30 years on the run made global headlines, is set to become a big-budget film. Rome-based producer Marco Belardi (“Perfect Strangers”) has acquired rights to ace anti-Mafia journalist Lirio Abbate’s book about the Cosa Nostra boss. The book is titled “U Siccu,” which is Sicilian dialect that translates as “The Skinny One.” Messina Denaro was arrested in mid-January by dozens of police officers outside an upscale medical facility in Palermo where he had been undergoing cancer treatment for a year under false identity.

Nick Vivarelli International Correspondent Veteran auteur Mario Martone, whose Naples-set drama “Nostalgia” launched last year from Cannes, has quite a lot in common with Massimo Troisi, Italy’s beloved late comic actor-director who is best known internationally as the star of Oscar-winning film “Il Postino.” Which is why Martone was well-suited to direct the multi-layered doc about Troisi’s legacy “Somebody Down There Likes Me” that is screening in the Berlinale Special sidebar. For starters, they are both Neapolitan, and were born only a few years a part. Troisi – who in “Il Postino” played the simple postman who rides his bicycle on a sandy Italian island to deliver mail to his sole client, the Nobel Prize-winning poet Pablo Neruda – died tragically of congenital heart failure at age 41 in June 1994, the day after “Il Postino” finished shooting at Rome’s Cinecittà studios.

Nick Vivarelli International Correspondent Egypt’s El Gouna Film Festival will be back this year after being put on hiatus in 2022. Organizers have announced that the prominent Arab fest’s 6th edition will take place in the Red Sea resort town Oct. 13-20, while the fest’s industry arm the CineGouna Platform, will run Oct. 15-19. The fest, which was launched in 2017 by Egyptian telecom billionaire Naguib Sawiris – whose brother Samih built the El Gouna resort in a swathe of desert near Hurghada, a tourist town 250 miles south of Cairo – had been cancelled last year after five successful editions. Though no reason was given, the one year break was possibly due to Egypt’s Red Sea area is being impacted by the war between Russia and Ukraine, whose citizens represent about 40% of beach tourists who travel to Egypt annually.

Nick Vivarelli International Correspondent New Disney+ original series “The Good Mothers,” which provides a fresh female take on the Calabrian mob, marks a case of truly organic collaboration between the U.K. and Italy to ensure that a great story didn’t risk losing an iota of authenticity.  The show, which is competing in the “Berlinale Series” section, depicts the Calabrian mob through the prism of three daring women inside the ‘Ndrangheta organized crime clan who collaborated with a female prosecutor and withstood the consequences of their attempt to escape its iron grip. It is produced produced by Juliette Howell, Tessa Ross and Harriet Spencer for London’s House Productions, which originated the project, and by Mario Gianani and Lorenzo Gangarossa for Rome’s Wildside, a Fremantle company, which helped to firmly root the story in its Calabrian context.

Nick Vivarelli International Correspondent Egyptian director Abu Bakr Shawky, whose first feature “Yomeddine” had the rare distinction of making the competition cut for Cannes, has completed his followup, the Saudi-set travel movie “Hajjan” which is expected to soon surface on the festival circuit.  Somewhat similarly to “Yomeddine,” which made a splash in 2018, the hotly anticipated “Hajjan” involves a journey across the desert, this time embarked upon by a boy and his camel. The big-budget film, which was shot mostly in the sprawling area situated along Saudi’s Red Sea coast in Tabuk – in the northwest of the kingdom – is about a young boy named Matar who, after the death of his brother on the camel race track, tries to avenge his death. To do so he becomes a camel jockey, only to find himself entangled in a battle for his own freedom.

Nick Vivarelli International Correspondent Paris-based Italian director Giacomo Abbruzzese says making the Berlin Film Festival competition cut with his first feature, “Disco Boy,” which toplines German star Franz Rogowski (“Passages,” ”Undine”), is “certainly a dream come true.” But he also points out that his remarkable debut was a long time coming.  A graduate of several film schools, including France’s prestigious Le Fresnoy, Abbruzzese started developing “Disco Boy” in 2013 following an encounter in a French disco with a classical dancer who had been a soldier.  

Nick Vivarelli International Correspondent The Locarno Film Festival’s Locarno Pro initiative dedicated to pics in post is set to look at films from the U.K. that are in their final stage of production for its upcoming 76th edition. Locarno’s First Look focus on indie U.K. film segues from the fest having developed a close rapport with the British industry over the decades, spanning from Mike Leigh’s 1972 Golden Leopard winner “Bleak Moments” to Terence Davies’s “Distant Voices, Still Lives,” which scooped the pard in 1998, and the more recent launches last year of Andrew Legge’s “LOLA” and Charlotte Colbert’s “She Will.” Locarno’s First Look initiative, in partnership with the British Film Institute (BFI), will run August 4-6. Six selected U.K. films that are currently in post-production will be unveiled, providing their producers an opportunity to pitch them to international industry professionals attending the festival. The U.K. pics in post will be presented to sales agents, buyers, programmers and representatives from post-production funds.

Nick Vivarelli International Correspondent The life of Turkey’s most famous photographer, Ara Guler, known globally for his portraits of scores of 20th century icons ranging from Pablo Picasso to Winston Churchill, is set to become a biopic directed by writer-director duo Aren Perdeci and Ela Almayanac (“Lost Birds”). Guler worked for many years for the photo agency Magnum, after its co-founder, celebrated photographer Henri Cartier-Bresson, personally signed him up. Besides documenting top 20th century personalities, Guler, who died in 2018, gained fame for his images of a bygone Istanbul, which earned him the moniker “Istanbul’s Eye.” He established a long collaboration with Nobel Prize-winning Turkish author Orhan Pamuk. Guler’s photographs were included in the 2003 Pamuk book “Istanbul: Memories and the City.” He also directed the 1975 doc “End of the Hero,” about a World War I battle cruiser.

Nick Vivarelli International Correspondent The Berlinale red carpet on Saturday became a protest platform against Iran’s repressive regime when a group of Iranian filmmakers and talents, joined by jury president Kristen Stewart, chanted “Women, Life, Freedom!” and demanded the release of imprisoned journalists and an Iranian rapper. Actress Golshifteh Farahani, who is also on the jury; “Holy Spider” actress Zar Amir Ebrahimi; and “The Siren” director Sepideh Farsi were among dozens of Iranian film professionals participating in the protests hosted by Berlinale co-directors Mariette Rissenbeek and Carlo Chatrian. Protesters with signs demanded freedom for female Iranian journalists Niloofar Hamedi and Elaheh Mohammadi who are behind bars, accused of “conspiring against national security” for being the first to report on Mahsa Amini’s death, and for the release of dissident Iranian hip hop artist Toomaj Salehi who has been accused of spreading propaganda and could face the death penalty.

Nick Vivarelli International Correspondent Italy’s Kino Produzioni, the indie shingle that co-produced 2022 Berlin Golden Bear winner “Alcarràs,” is ramping up production with new films by emerging Italian filmmakers Carlo Sironi, Laura Luchetti and Irene Dionisio, as well as also Dutch director Michiel Van Erp and Argentine filmmakers María Alché and Benjamín Naishtat.  “We reached a turning point last year that started out well with the ‘Alcarràs’ victory,” said Kino chief Giovanni Pompili, speaking at the EFM. He noted that in 2022, the Rome-based outfit shot four films, “which for us was pretty challenging, but worked out well.” Meanwhile, the Kino team has grown. Producer Lara Costa-Calzado, who has been working for a decade between the U.S. and Europe on films such as Eliza Hittman’s Silver Bear winner “Never Rarely Sometimes Always,” Sally Potter’s “The Roads Not Taken” and Halina Rejin’s “Bodies Bodies Bodies,” has joined Kino as head of production.