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Generative AI Can Be a Co-Songwriter, Not a Copycat: Guest Post by Endel CEO Oleg Stavitsky
Jem Aswad Senior Music Editor Oleg Stavitsky is co-founder and CEO of Endel, a sound wellness company that utilizes generative AI and science-backed research. Today, when the music industry cautiously expresses enthusiasm for AI, it focuses primarily on AI as a new tool that producers and artists can use in the studio. The rest of generative AI’s capabilities are seen as a threat, or as RIAA President Mitch Glazer put it in a recent op-ed, as “empty knock offs and chatbot impersonations,” from which true, human-made music must be protected. Meanwhile, The U.S. Copyright Office has put forward new requirements when registering copyright for AI-generated content: they will consider the extent to which the human had creative control over the work’s expression and “actually formed” the traditional elements of authorship. Both perspectives draw a hard line between human creativity and AI activity, rather than looking at ways the two can collaborate and co-create.