Mike Flanagan: Last News

“Bly Manor,” “Midnight Mass” and now “The Midnight Club.”Based on novels by YA horror author Christopher Pike (also an executive producer), “The Midnight Club” is set in 1990s California and follows college-bound students.Ilonka (Iman Benson) is a star student who gets a terminal-cancer diagnosis right when it feels like her whole life is ahead of her. After finding Brightcliffe online, she gets her foster dad Tim — Matt Biedel, who looks like he gets the call when David Harbour is busy — to agree to take her to the mysterious hospice for a “trial run,” like “cancer sleepaway camp,” she says.

Jennifer Maas TV Business Writer SPOLER ALERT: Do not read if you have not yet watched through the Season 1 finale of Netflix’s “The Midnight Club.” “The Haunting of Hill House” and “Midnight Mass” mastermind Mike Flanagan turned his attention to a younger audience for his new Netflix series, “The Midnight Club,” which launched Friday. The new drama concludes its 10-episode first season with just a few answers, and many more questions about the fate of Ilonka (Iman Benson) and her fellow terminally ill teens at Brightcliffe Hospice, the Paragon cult’s mysterious connection to Dr. Stanton (Heather Langenkamp), the teens’ head caregiver and owner of the hospice, what actually happened to Julia Jayne/Shasta (Samantha Sloyan) and why those elderly ghosts are haunting Ilonka and Kevin (Igby Rigney).

Mike Flanagan is as sentimental about storytelling as he is about horror, for better and for worse. Sometimes that has led to a unique heartbeat in his work—the aching pain in his landmark Shirley Jackson adaptation “The Haunting of Hill House,” or his dedication to making us see the demons of “The Shining” in a different light with his unfairly maligned feature “Doctor Sleep.” But his latest project, co-created with Leah Fong, shows that affinity getting the better of him.

By It takes a certain kind of wisdom to know your calling in life as a child. It takes even more to then make that happen. But watch Iman Benson on screen, and it becomes so clear she knew something at age nine that most people take a lifetime to figure out: This is what she’s meant to do. The actor, now 22, has had roles on hit shows like Suits and BlackAF, but she delivers her first true breakthrough performance in Netflix’s The Midnight Club, now streaming.

Four years after Mike Flanagan's breakout success with , the horror expert is back with a new offering, this time titled. The new show, streaming on Netflix starting Oct.

A THRILLING new Netflix show has broken records for having the most jump scares in a horror series.  The brand new show, The Midnight Club, has been presented with a Guinness World Record for having the single most jump scares in an episode.  The show follows the success of its creator Mike Flanagan’s previous Netflix horror offerings, The Haunting of Hill House, The Haunting of Bly Manor and Midnight Mass.  The show received acknowledgement for having a total of 21 jump scares and received the honour at the New York Netflix headquarters.  Mike has begun to develop himself as one of the horror genre’s biggest presence after directing the feature film Hush as well as being involved in Stephen King’s sequel to The Shining, named Doctor Sleep.  Read More on Netflixflix tips Four incredible Netflix hacks that almost no one knows – including secret menuROYALLY WEIRD Aussie who bizarrely claims he’s Charles' child reveals plan for Netflix doc Despite achieving the most jump scares, Mike has expressed his dislike for jump scares in movies in the past.  He said to Deadline: “My whole career I completely s*** on jump scares as a concept, and I wanted to make sure it was pinned to me, too, as much as it is to the show, to Netflix, and all of us who have inflicted this on everyone.” He added: “Now, I have my name in the Guinness Book of World Records for jump scares, which means next time I get the note, I can say, ‘You know, as the current world record holder for jump scares, I don’t think we need one here.’” Most read in Streamingit's back! Legendary TV show returning after 18 years off screen - with an iconic comebackLAST CHANCE Every TV show and film leaving Netflix in NovemberBINGE TV New on Netflix: Latest releases and what

Daniel D'Addario Chief TV Critic Mike Flanagan has, of late, distinguished himself as one of Netflix’s signature creators and as a generational figure in the horror genre; though his past series for the streamer, including “Midnight Mass” and “The Haunting of Hill House,” have been of various quality overall and from episode to episode, they’re consistently interesting. His willingness to engage ideas with his scares sets him apart, perhaps more than it should. So it is with “The Midnight Club,” which Flanagan and Leah Fong co-created based on the work of YA novelist Christopher Pike. Here, Iman Benson plays Ilonka, a college-bound high school salutatorian who receives a diagnosis of terminal cancer. Ilonka is both a star student and an idealist; she researches Brightcliffe, a facility to which her foster father can take her to be placed into hospice, and holds in reserve a secret hope that there will, there, be a miracle cure for her. What she finds, first, is a circle of ill teens who gather when the clock strikes twelve to share scary stories; it’s a mordant nihilism they share, and a sense of indulgent pleasure in the knowledge that things could be worse: They could be fighting against cosmic forces of evil.

A Guinness World Record for the most scripted jump scares in a single episode of television has a claimant. Coincidentally (well, not really), it’s a new series premiering on Netflix.

Jennifer Maas TV Business Writer Mike Flanagan has faced his worst fear: The jump scare. The “Midnight Mass” and “Haunting of Hill House” mastermind packed 21 separate instances of the classic horror trope into the premiere of his latest Netflix series, “The Midnight Club,” a tally so high it actually breaks the Guinness World Record for “most scripted jump scares in a single television episode.” A Guinness World Record official presented Flanagan and Co. their certificate for the achievement during the “Midnight Club’s” New York Comic Con panel Thursday night, which included a preview of the premiere episode ahead of the show’s Friday launch.

EXCLUSIVE: Mary McDonnell, a two-time Oscar and two-time Emmy nominee, has been tapped as a lead opposite Justin Hartley in CBS drama pilot The Never Game, an adaptation of Jeffery Deaver’s novel, from director Ken Olin and 20th Television.

Doctor Sleep‘s poor box office figures have ultimately ended Mike Flanagan’s hopes of releasing a second film based on The Shining, according to the director.Reports of a follow-up movie were reported back in November 2019, barely a week after the release of Doctor Sleep.The film was set to focus on the character of Dick Hallorann, played by Scatman Crothers in Stanley Kubrick’s 1980 Stephen King adaptation of The Shining, and Carl Lumbly in Doctor Sleep.“We were so close,” Flanagan tweeted. “I’ll always regret this didn’t happen.”In the comments section, Flanagan added that the film was cancelled because of Doctor Sleep’s box office performance.

Mike Flanagan has built an impressive recent resume with his horror miniseries on Netflix. It all started with 2018’s “The Haunting Of Hill House,” with its follow-up, “The Haunting Of Bly Manor” coming two years later.

Michaela Zee editorNetflix has released the official trailer for Mike Flanagan’s new horror series “The Midnight Club.”Based on novel of the same name by Christopher Pike, the 10-episode horror series follows a group of terminally ill patients in Rotterdam Home who gather at midnight to share scary stories. The group makes a pact to contact the others from beyond the grave should one of them perish.The series stars Adia, Igby Rigney, Ruth Codd, Aya Furukawa, Annarah Shephard, William Chris Sumpter and Sauriyan Sapkota, with Heather Langenkamp as the enigmatic doctor presiding over Rotterdam Home.The series is created by Flanagan and “The Haunting of Bly Manor” writer Leah Fong. Flanagan executive produces for Intrepid Pictures along with Trevor Macy and Adam Fasullo, Intrepid Pictures’ vice president of television. Fong also serves as an executive producer with Julia Bicknell and “The Midnight Club” author, Pike. Elan Gale, James Flanagan and Chinaka Hodge write on the series, with Flanagan set to direct the first two episodes.

Zack Sharf “Doctor Sleep” director Mike Flanagan confirmed on Twitter that a planned sequel to his 2019 “The Shining” prequel is officially dead. The filmmaker cited the dismal box office performance of “Doctor Sleep” as the main reason why Warner Bros. isn’t moving forward with a second “The Shining” prequel film, this one focused on the character of Dick Hallorann (played in Stanley Kubrick’s film by Scatman Crothers and in “Doctor Sleep” by Carl Lumbly.” “We were so close,” Flanagan wrote on Twitter about getting the Dick Hallorann movie made. “I’ll always regret this didn’t happen.” Flanagan also shared a fan-made poster for his scrapped second “The Shining” prequel. When asked by one user why his “Doctor Sleep” follow-up wasn’t going to be made, Flanagan responded, “Because of ‘Doctor Sleep’s’ box office performance, Warner Bros. opted not to proceed with it. They control the rights, so that was that.”

Selome Hailu The Paramount+ revival of “Criminal Minds” has set a new title: “Criminal Minds: Evolution.” Additionally, Zach Gilford has been added to the cast as a recurring guest star. “Criminal Minds: Evolution” will premiere this fall, expanding upon the long-running series that originally concluded in 2020 after 15 seasons. The revival follows the FBI’s elite team of criminal profilers as they come up against their greatest threat yet, an UnSub who has used the pandemic to build a network of other serial killers. As the world opens back up and the network goes operational, the team must hunt them down, one murder at a time. Gilford will play Elias Voit, an operations analyst for a global cyber-security firm who has a dark side and an obsession with death.

Wendell & Wild.Directed by filmmaker Henry Selick, and written by Selick and Jordan Peele, Wendell & Wild followsscheming demon brothers Wendell (Keegan-Michael Key) and Wild (Peele), who enlist the aid of Kat Elliot (Lyric Ross) -- a tough teen with a load of guilt -- to summon them to the Land of the Living. But what Kat demands in return leads to a brilliantly bizarre and comedic adventure like no other.The animated fantasy defies the law of life and death, all told through the handmade artistry of stop motion.Angela Bassett, James Hong, Tamara Smart, Natalie Martinez, Tantoo Cardinal, Gabrielle Dennis, Igal Naor, David Harewood, Maxine Peake, Ramona Young, Sam Zelaya, Seema Virdi, Gary Gatewood and Ving Rhames also star in the film.Wendell & Wild is one of several titles coming to spook Netflix viewers this year, along with Mike Flanagan's new series The Midnight Club, season two of , the previously teased and more. Wendell & Wild premieres Oct.

Joe Otterson TV Reporter Carla Gugino has been cast in a series regular role in the upcoming HBO Max series “The Girls on the Bus,” Variety has learned. Gugino is the latest addition to the cast, joining previously announced cast members like Melissa Benoist, Natasha Behnam, Christina Elmore, and Brandon Scott. “The Girls on the Bus” is inspired by a chapter in Amy Chozick’s book “Chasing Hillary.” It is described as a comedic character-driven drama that chronicles four female journalists who follow every move of a parade of flawed presidential candidates, while finding friendship, love, and scandal along the way.

Netflix is offering a sneak peek at one of its most anticipated upcoming series, unveiling several first-look photos from “The Midnight Club”.

EXCLUSIVE: Yellow Veil Pictures has acquired world sales rights to Daphné Baiwir’s feature documentary King On Screen. The film, which centers on the journey of works by legendary horror author Stephen King from the page to cinema and television screens, will premiere at Fantastic Fest in September.

cancer at home with his wife Maria Borgel Petersen by his side, a rep confirmed. Petersen, who was born in Emden, Germany, directed various iconic films throughout his decades-long career, and directed Hollywood legends including Harrison Ford, Clint Eastwood, and Brad Pitt.He started out in 1974 with his first feature film, psychological thriller One or the Other of Us.Just a few years later, in 1982, his iconic film Das Boot, about a German submarine crew, was released.The film was nominated for six Academy Awards, and Petersen was nominated for two – best director and best adapted screenplay.

Das Boot, Air Force One and others, has died aged 81.Petersen died on Friday (August 12) at his home in Brentwood, California from pancreatic cancer, his publicist confirmed (via The Hollywood Reporter).The German director, producer and writer had his breakthrough film with World War II epic Das Boot, released in 1982. The film was nominated for six Oscars, including two for Best Director and Best Adapted Screenplay.His first English-language project was 1984 fantasy film The NeverEnding Story, which received two sequels in 1990 and 1994 respectively.Petersen achieved Hollywood success with his later works, including 1993’s In The Line Of Fire with Clint Eastwood, 1995’s Outbreak with Dustin Hoffman, and action thriller Air Force One in 1997 with Harrison Ford as the US president.In 2000, he also directed disaster film The Perfect Storm, based on a true story about a commercial fishing vessel that becomes lost at sea.