Marie Antoinette: Last News

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The movie Chevalier is already playing in theaters in the U.S., but there are still areas of the world that don’t have it yet!

Peter Debruge Chief Film Critic They instructed her no one must turn their back to the king, but she did so anyway. They warned that she was not to look Louis XV directly in the eyes, lest others take it as “an invitation,” but she ignored Versailles’ advisers on this point as well, defiantly meeting the king’s gaze. Jeanne Bécu was not the type of woman to do as she was told. In this respect, divisive French actor-director Maïwenn can relate, casting herself as the courtesan-turned-comtess in “Jeanne du Barry,” a sensitive and surprisingly low-key portrait of the French monarch’s last mistress. That Maïwenn saw fit to engage tabloid-embattled Johnny Depp as “her king” is just one of the many hurdles she set for herself — but then, no one embarks on such a project with the intention of pleasing her critics.

Cher makes a quick appearance on the red carpet at the premiere of Chevalier held at El Capitan Theatre on Sunday night (April 16) in Los Angeles.

Elsa Keslassy International Correspondent Once pitted againsteach other as rivals, streamers and broadcasters have become unlikely allies in the face of increased competition and economic pressure following the pandemic and the launch of more content viewing platforms.  Even in France, where Netflix was referred to as the “devil” by France Televisions president Delphine Ernotte Cunci in a 2019 interview, the tide has turned and a number of ambitious series have been jointly financed by both local broadcasters and streamers.  Examples of collaborations vary from period drama series such as “The Bonfire of Destiny” and “Women at War,” from TF1 and Netflix, to action series like Ziad Doueiri’s “Dark Hearts,” from  France Televisions and Amazon Prime Video. What do these shows have in common? They shot in French with local casts, and have the high budgets and production values that are typically allocated to international co-productions like “Marie Antoinette,” which shot in English and was produced with French and foreign TV partners. 

Jazz Tangcay Artisans Editor Composer Joseph Bologne, Chevalier de Saint-Georges, should have been as famous as Mozart — except he wasn’t. Stephen Williams‘ new film “Chevalier” starring Kelvin Harrison Jr. as the titular violinist explores why. From Searchlight Pictures, the film opens in theaters on April 21 and follows Chevalier, a name bestowed on him after he caught the attention of Marie Antoinette, the illegitimate son of an African slave and plantation owner. Before bursting onto the scene, he performed violin concertos while building his fencing skills, becoming known as the “Black Mozart.” In a clip from the film, Bologne takes on a challenge against Mozart (Joseph Prowen), accepting a violin duel.

Peter Debruge Chief Film Critic Though his life and accomplishments were largely erased under Napoleon, the extraordinary figure at the center of Stephen Williams’ “Chevalier” really did exist. Born on the Caribbean island of Guadeloupe, the son of a white plantation owner and his Black slave, Joseph Bologne went on to excel in spheres rarely accessible to people of color in 18th-century French society. Here was a champion swordsman and celebrated musician invited to play his violin at Versailles, where Marie Antoinette reportedly accompanied him on the harpsichord. So why has it taken so long for his story to be told? The time certainly seems right to rediscover the Chevalier — an honorary title that reveals how high Bologne rose under France’s overtly racist Code Noir, as well as a fitting name for the film. A compelling example of Black excellence dating back even before the French Revolution, the English-language “Chevalier” doesn’t feel nearly as fusty as its powdered wigs and period setting might suggest. Like “Chocolat” (not the Johnny Depp confection, but the 2016 Omar Sy vehicle about the circus clown who broke barriers on the Paris stage), this modern-minded if occasionally under-nuanced costume drama fills a historic gap, starting with its fanciful opening scene: a violin showdown between Bologne (Kelvin Harrison Jr.) and Wolfgang Amadeus Mozart (Joseph Prowen) choreographed like a rap battle.

Toasting and roasting. Busy Philipps enjoyed a cocktail while poking fun at Gwyneth Paltrow‘s ski trial testimony.

Jeremy Scott is stepping down from his role as creative director of Moschino.On Monday, the judge announced his exit from the fashion house with a post on Instagram featuring a photo of the designer and model Gigi Hadid in the closing look from his SS19 collection. «THESE PAST 10 YEARS AT MOSCHINO HAVE BEEN A WONDERFUL CELEBRATION OF CREATIVITY AND IMAGINATION. I AM SO PROUD OF THE LEGACY I AM LEAVING BEHIND,» he captioned the post. «I WOULD LIKE TO THANK MASSIMO FERRETTI FOR THE HONOR OF LEADING THIS ICONIC HOUSE.

Jeremy Scott is stepping down from his role as creative director of Moschino.On Monday, the judge announced his exit from the fashion house with a post on Instagram featuring a photo of the designer and model Gigi Hadid in the closing look from his SS19 collection. «THESE PAST 10 YEARS AT MOSCHINO HAVE BEEN A WONDERFUL CELEBRATION OF CREATIVITY AND IMAGINATION. I AM SO PROUD OF THE LEGACY I AM LEAVING BEHIND,» he captioned the post. «I WOULD LIKE TO THANK MASSIMO FERRETTI FOR THE HONOR OF LEADING THIS ICONIC HOUSE.

Call the Midwife and Sanditon are back, while the Versailles-set Marie Antoinette makes it debut. It's the perfect way to spend your Sunday evening and will only get you more excited for the in May, followed by .Speaking of charming British characters, Ted Lasso airs its second episode this Wednesday. After last week's episode (my heart sank for Ted in the final few minutes), the show keeps raising the stakes and I'm loving it.Meanwhile, is back for an epic season two adventure while Daisy Jones & the Six wraps up its run, giving you all the answers you want to know.

The Favourite”). Set in the eighteenth century, the drama follows the famous last Queen of France (Schüle) beginning with her teenage years, as she’s sent from her home in Austria to France, in order to marry the awkward Louis XVI (Louis Cunningham), who won’t talk to her and doesn’t appear to bathe. She’s a fish out of water in Versailles, struggling to understand their way of life and deal with court intrigue, while Louis XV (James Purefoy, “Rome”) rules.  “It changed my view on her entirely,” said Schüle, who is German and is based in Berlin. “I do think that there is a very wrong image out there about her.

Elsa Keslassy International Correspondent French pay TV group Canal+ has ordered a second season of its dazzling historical drama “Marie Antoinette.” BAFTA-nominated Ed Bazalgette (“The Last Kingdom,” “Doctor Who”) will direct the first four episodes. While Deborah Davis (“The Favourite”) still on board as creator, season 2’s writing team is led by Louise Ironside, joined by Charlotte Wolf, Francesca Forristal and Andrew Bampfield. The series, which is being backed by Banijay and Capa Drama (Newen Studios), is expected to start filming in the fall. The new season will continue telling the epic story of the avant-garde young queen, played by Emilia Schüle (“Ku’damm 56/ 63”), with Louis Cunningham (“Bridgerton”) as the king of France, Louis XVI.