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Siddhant Adlakha Unfolding in the cramped corridors of Hong Kong’s Kowloon Walled City (it was one of the most dangerously dense urban areas on Earth before being demolished in 1993), Soi Cheang‘s ’80s-set “Twilight of the Warriors: Walled In” delivers on its blockbuster action promise. However, its martial arts spectacle is scattered across a sprawling refugees-and-triads saga that, while adequately laying foundation for the aforementioned fisticuffs, is seldom coherent or engaging on its own.

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‘The Brightest Sun’, ‘Pavane For An Infant’ To Open HKIFF; Leos Carax & Ando Sakura Among Filmmakers Set To Attend

Japanese filmmaker Nakashima Tetsuya’s The Brightest Sun and Malaysia-Hong Kong co-production Pavane For An Infant, directed by Chong Keat-Aun, will open this year’s Hong Kong International Film Festival (April 10-21).

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Distribution Workshop Re-Launching ‘Sons of the Neon Night’ as Hong Kong’s Most Expensive Film

Patrick Frater Asia Bureau Chief Asian sales and production firm Distribution Workshop is using the Busan International Film Festival’s market to re-launch ambitious “Sons of the Neon Night,” a film it first became attached to in 2015. Only this time the Juno Mak-directed project is now in post-production, has a stellar cast and has expanded to become the highest-budget movie ever hatched in Hong Kong. “Sons of the Neon Night” is pitched as a high-octane yet highly-stylized, police-crime-action-thriller set in a deconstructed and reimagined Hong Kong.

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Distribution Workshop To Launch Sales On Juno Mak’s ‘Sons Of The Neon Night’ At ACFM

Taiwan-based sales agent Distribution Workshop is launching pre-sales on Juno Mak’s long-gestating Sons Of The Neon Night at the upcoming Asian Contents and Film Market (ACFM) during Busan International Film Festival.

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Hong Kong Picks ‘Twilight of the Warriors: Walled In’ For International Oscar Entry

Hong Kong has selected box office hit Twilight of the Warriors: Walled In as its best international feature film entry for the Oscars.

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China Box Office: ‘Twilight of the Warriors’ Tops Quiet Pre-Holiday Weekend

Patrick Frater Asia Bureau Chief “Twilight of the Warriors: Walled In,” a Hong Kong-produced action thriller, took the top spot at the mainland China box office over the latest weekend. But it was a quiet session and came ahead of a welter of new releases targeting the May Day public holiday. The film, which is among those that have a Wednesday (May 1) official release date, earned $5.5 million (RMB38.9 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway. The nationwide weekend total was a slender $18.7 million.

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How Hong Kong Star Louis Koo’s Empire Goes Beyond Big Screen Hits

Faye Bradley Actor Louis Koo is a household name in Hong Kong but off-screen, he’s an influential entertainment industry investor, producer and entrepreneur. Rising to prominence during the “golden age” of Hong Kong cinema, Koo built a respected career over the decades but less flashy are his businesses and investments. One Cool Group is one such revenue stream.

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Zhang Ziyi, Lei Jiayin and Jackson Yee Star in Peter Chan’s ‘She Has No Name’ (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Peter Chan Ho-sun has assembled a starry cast headed by Zhang Ziyi and box office sensation Lei Jiayin for his new feature film “She Has No Name.” The film, which recently completed principal photography, probes the progress of women’s rights in China. “One woman’s suffering gives rise to the revolution of women’s social rights in China,” reads a tagline.

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Louis Koo’s One Cool Film Unveils Star-Studded Slate at FilMart

Faye Bradley Hong Kong’s One Cool Film group has announced five new movies, revealed through exclusive teasers and posters on the opening day of FilMart. Upcoming films include “Love Lies,” starring Sandra Ng and M.C. Cheung Tinfu; “The Trier of Fact,” directed by Calvin Tong and featuring Louis Koo and Eddie Peng; “The Way We Talk,” produced, written and directed by Adam Wong, with Neo Yau, Chung Suet Ying and Ng Tsz Ho Marco in leading roles; “Good Game,” helmed by Dickson Leung, written by Lily He Xin and Sheng Ling Xiu Zhong, and starring Andrew Lam, Will Or and Yanny Chan; and “Behind the Shadows,” produced by Soi Cheang, directed by Jonathan Li and Chou Man Yu, and starring Koo, Chrissie Chou and Liu Kuan Ting.

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Hong Kong’s Once Mighty Film Industry Grapples With Changing Market & Political Realities

As Filmart gets underway, Hong Kong’s major production companies, including Edko Films, Emperor Motion Pictures (EMP), Media Asia, One Cool Group and Universe Entertainment, will be unveiling their new titles in enormous booths at the front of the trade show floor, some of which will be as elaborate as film sets.

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‘The Garfield Movie’ Trailer: Chris Pratt, Samuel L. Jackson Voice Father-Son Cat Tale

Ever wonder where Garfield the cat came from? How he met his “owner” Jon Arbuckle? How pizza entered the picture? A new trailer for Columbia Pictures and Alcon Entertainment’s The Garfield Movie can help.

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Hong Kong Action Film ‘White Storm 3’ Sets North American Premiere, Revised China Release

Patrick Frater Asia Bureau Chief Hong Kong action film “The White Storm: Heaven or Hell” will have its North American premiere at the New York Asian Film Festival, where it is a late addition to the line-up. The festival runs July 14–30, 2023 at Film at Lincoln Center (FLC). Directed by Herman Yau, the film sees Louis Koo, Aaron Kwok and Sean Lau (aka Lau Ching-wan) appear together for the first time. It is set in the ‘Golden Triangle’ region famous for drugs production and trafficking. Kwok plays an undercover cop who infiltrates a drug cartel led by a notorious Thai drug lord (Lau). In classic heroic bloodshed fashion, the two develop a bond of brotherhood. The cop’s only hope of escaping the treacherous jungle region and his ambiguous morality is to somehow contact the superintendent of the Hong Kong Narcotics Bureau, who has solemnly sworn to demolish the cartel once and for all.

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‘Killing Romance,’ Offbeat Korean Comedy, to Open New York Asian Film Festival (EXCLUSIVE)

Patrick Frater Asia Bureau Chief “Killing Romance,” one of the most creative Korean films of the past year, has been set as the opening night title for the upcoming New York Asian Film Festival. The deliberately multi-genre picture tells the tale of a beautiful movie star with dubious acting skills (portrayed by Le Ha-nee) who suddenly quits the industry and retires to newly-married life that turns out to be anything but bliss. When she decides to return to acting she teams up with a fan and an absurd plot to kill her absurdly rich husband. The film is directed by Lee Won-suk who previously attended the NYAFF with his first film, “How to Use Guys With Secret Tips,” in 2013 and returned with his second feature, the big-budget period drama The Royal Tailor, which earned the audience award at NYAFF in 2015.

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‘Stonewalling’ and ‘Totem’ Share Hong Kong Festival’s Firebird Awards

Patrick Frater Asia Bureau Chief Huang Ji and Otsuka Ryuji’s “Stonewalling” won the Chinese-language section of the Hong Kong International Film Festival’s Firebird Young Cinema competition. Lila Aviles’s “Totem” won the equivalent Firebird Award for international films. The festival began on March 30 and concluded on Sunday evening with a world premier screening of “Vital Sign” at the Hong Kong Cultural Centre’s Grand Theatre. The screening was accompanied by cast and crew including Louis Koo, director Cheuk Wan-chi, producer Jacqueline Liu and performers Neo Yao, Angela Yuen, Ng Wing-sze, Tony Wu and So Yuet-yin. In total, “Stonewalling” picked up three awards. In addition to the best film prize, it also collected the best actress prize for leads Huang Xiaoxiong and Yao Honggui and the FIPRESCI Award. The tale of an unwanted pregnancy, the film premiered at Venice and Toronto last year. The HKIFF jury said it “[reminds] us of the confusion, difficulty and suffering women face nowadays and the inescapable responsibilities they have to shoulder. It inspires the audience to reflect on this important issue in modern society. It is an invaluable film replete with empathy.”

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John Chong on Making ‘Twilight of the Warriors: Walled In’ an Authentic Dive into Notorious Kowloon Walled City and Yet Emblematic of Hong Kong’s New Wave (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Kowloon Walled City — one of Hong Kong’s most famous landmarks, or infamous trouble spots, depending on your point of view — fell prey to the developers’ bulldozer 30 years ago. But it remains an icon of the territory’s gritty spirit and is being painstakingly re-created for action thriller feature “Twilight of the Warriors: Walled In.” The film is a beacon for how Hong Kong cinema is now evolving. Directed by hot-shot Soi Cheang, whose “Mad Fate” recently played in Berlin and is set for imminent local release, “Twilight” boasts leading stars Louis Koo, Sammo Hung and Richie Jen, plus emerging talents Philip Ng, Raymond Lau and Terrance Lau.

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Hong Kong Film Festival Sets Trio of Local Titles as Opening and Closing Titles

Patrick Frater Asia Bureau Chief The Asian premiere of Soi Cheang’s “Mad Fate” is just one of three locally-produced movies that have been set as the opening and closing titles of the upcoming Hong Kong International Film Festival. “Mad Fate” is joined in the festival opening slot on March 30 by “Elegies,” Ann Hui’s documentary portrayal of the topography of contemporary local poetry, which will have its world premiere. The closing film, another world premiere, is “Vital Sign,” an affecting drama directed by Cheuk Wan-chi and starring Louis Koo, Yau Hawk-sau, and Angela Yuen, which will wrap up proceedings on 10 April. In total, the festival has programmed some 200 films from 64 countries and territories. These include nine world premieres, six international premieres, and 67 Asian premieres.

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‘Mad Fate’, ‘Elegies’ To Open Hong Kong International Film Festival

This year’s Hong Kong International Film Festival (HKIFF) will open with two local films – Soi Cheang’s noir thriller Mad Fate and the world premiere of Ann Hui’s Elegies, a documentary about contemporary local poetry.

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Hong Kong Star Louis Koo On Backing New Talent Through One Cool Group, Hollywood Moves & Pushing VFX Boundaries In ‘Warriors Of Future’

EXCLUSIVE: Released in August, Louis Koo’s sci-fi action thriller Warriors Of Future has become not just the highest-grossing local film in Hong Kong ever, but the highest-grossing Asian film ever released in the territory, with a gross of HK$81.7M (US$10.5M). The film also raked in $100m in China over the summer and is currently number four in Netflix’s global ranking of non-English language films after launching worldwide on December 2.

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Netflix Unveils Chinese-Language Slate, Including Taiwanese Series ‘Agent From Above’ & Hong Kong’s Biggest Ever Film, ‘Warriors Of Future’

Netflix has announced a slate of Chinese-language films and series, headlined by fantasy series Agent From Above, which the streamer says “boasts extensive visual effects that are seldom seen in a local series”.

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‘Moon Man’ Holds for Third Week at the Top of China Box Office

Patrick Frater Asia Bureau ChiefSpace comedy Moon Man held on to the top spot at the mainland China box office for a third weekend. It has now accumulated $363 million.Released on July 29, “Moon Man” earned RMB217 million ($32.4 million) between Friday and Sunday earning some 45% of the nationwide weekend total, according to data from consultancy Artisan Gateway. The film’s invulnerability underlines once again how the Chinese exhibition and distribution sector has become focused on major hits and top-heavy.There could scarcely be more powerful demonstration of that than the photographs carried over the weekend by Mainland Chinese of Hong Kong star Louis Koo apparently in tears over the disappointing box office stars for “Warriors of Future,” the sci-fi fantasy that he starred in, financed and produced.

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WellGo USA Buys Soi Cheang’s ‘Walled In’ for North American Release

Patrick Frater Asia Bureau ChiefSoi Cheang’s “Twilight of The Warriors: Walled In” has been licensed to WellGo USA for North American release. The deal with Hong Kong’s Media Asia marks a rare advanced-sale of a commercial Cantonese-language movie in a market that has recently been marked by uncertainty.The action thriller is a live-action adaptation of the cult manga series “City of Darkness” that is set in the 1980s inside the almost lawless Kowloon Walled City.With a stellar cast headlined by Louis Koo (“Election”), Sammo Hung (“Ip Man”) and Richie Jen (“Trivisa”), the film recently completed production and is now in post-production.

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