Keith Fulton: Last News

After decades of behind-the-scenes issues, Terry Gilliam was able to film and release his long-awaited, “The Man Who Killed Don Quixote,” in 2018. And like most things that have been hyped up for 25 years, the film was perfectly fine, if not a little disappointing.

Jamie Lang In today’s Global Bulletin, Raindance announces its winners, Göteborg goes hybrid, Movistar Plus announces a new climate change docuseries, and Dopamine hires Maria Garcia-Castrillon to lead the company’s international business. Raindance Film Festival’s virtual awards ceremony unspooled on Thursday, live streamed from the Leicester Square Theater, where Giorgos Georgopoulos’ dark comedy “Not to Be Unpleasant But We Need to Have a Serious Talk” was declared Film of the Festival and Finnish feature “Force of Habit,” seven stories from seven directors about the normality of sexual harassment and abuse in private and society at large, won best international feature and best screenplay.

Leo Barraclough Senior International CorrespondentLondon-based production, finance and sales outfit Film Constellation has closed key deals on documentary “He Dreams of Giants,” charting Terry Gilliam’s 30-year journey to bring the story of Don Quixote to life on screen.The film is the follow up from Keith Fulton and Lou Pepe’s “Lost in La Mancha” (2002), which focused on Gilliam’s first, and ill-fated attempt to tell the same story.Film Constellation has sold both films to Scandinavia and the Baltics (NonStop Entertainment), and “He Dreams of Giants” has also been sold to German-speaking territories (Koch Media), and Poland (Mayfly).Both films are directed by Fulton and Pepe.