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variety.com

07.06.2023 / 11:39

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International Box Office Ready to Reap the Rewards of Hollywood’s Summer of Sequels

Patrick Frater Asia Bureau Chief After a few pandemic-addled years, the global box office is finally ready to feel the warmth of the studios’ tentpole releases. Though the swing-back to pre-pandemic release schedules is happening at different speeds in each market, the quartet of “Guardians of the Galaxy Vol. 3,” “Fast X,” “The Little Mermaid” and “Spider-Man: Across the Spider-Verse” — not to mention “The Super Mario Bros Movie” before them — have announced the arrival of Hollywood’s version of summer across much of the planet. France saw admissions climb by 33% in the first five months of 2023, compared with the equivalent period last year, according to data from the CNC (National Film Board). Compared with an average figure for 2017 to 2019, the performance of the 2023 box office is (only) 12% behind. France’s recovery has been powered by a string of successful local films including “Asterix and Obelix: The Middle Kingdom,” “Alibi.com 2,” “The Three Musketeers: D’Artagnan,” “The Crime Is Mine” and Cannes opener “Jeanne du Barry.”

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Park Chan-wook-Produced ‘War and Revolt’ Set at Netflix

Patrick Frater Asia Bureau Chief Park Chan-wook, the Korean filmmaker behind “Oldboy” and last year’s “Decision to Leave,” has joined as producer and co-writer of historical drama film “War and Revolt.” The film is Park’s first collaboration with Netflix, the global streaming platform that is market leader in Korea and which has been instrumental in the global success of Korean contemporary culture. “War and Revolt” tells the story of two childhood friends, portrayed by Gang Dong-won and Park Jeong-min, who become adversaries. It is directed by Kim Sang-man (“Midnight F.M.”) from a script by Shin Chul and Park Chan-wook.

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Cinema XXI, Indonesia’s Largest Exhibition Chain, May Be Seeking IPO, Says Report

Patrick Frater Asia Bureau Chief Indonesia’s largest cinema chain Cinema XXI could be heading to the stock market through an IPO by early next year. Early details were reported by the Nikkei newspaper citing its finance industry partner publication Dealstreet Asia. They said that the company may seek to raise $300 million of fresh capital. Last year, financial news service Bloomberg said that Cinema XXI ‘s owners were seeking to raise $500 million-$1 billion through an IPO. The reasons for the large discrepancy are unclear. The company holds a 60% market share of Indonesia’s cinema exhibition industry and, as of December 2022, operated 225 cinema venues with a total of 1,217 screens.

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Sarah Polley’s ‘Women Talking’ Wins at Bali Film Festival – Global Bulletin

Patrick Frater Asia Bureau Chief “Women Talking,” which won Sarah Polley an Oscar for best adapted screenplay, was this weekend named best narrative feature at the Bali International Film Festival (aka the Balinale).Ashen Nadeem’s “Crows Are White” won the feature documentary prize and “The Tone Wheels,” by Yuda Kurniawan, was named winner of the Gary L Hayes Award for Indonesian Filmmaker. The festival jury called “The Tone Wheels” “an outstanding endeavor that transported us into the backstreets of Jakarta on a captivating musical journey.” The film depicts a busking village where dreams flourish, despite the scarcity of resources and equipment.

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Korea Box Office: ‘The Roundup: No Way Out’ Dominates With $22 Million Opening Weekend

Patrick Frater Asia Bureau Chief Crime action film “The Roundup: No Way Out” dominated the South Korean box office on its official opening weekend with a thumping $21.9 million performance. The film, the third in a franchise that pits a heavy-fisted cop, portrayed by Ma Dong-seok (aka Don Lee), against colorfully devious rogues, crushed all competing titles by taking an 88% market share. In terms of admissions, it attracted 2.82 million into cinemas between Friday and Sunday. The film’s official opening was on Wednesday (May 31). But it also enjoyed wide previews through much of the preceding week. Adding in the weekday takings and the preview activity, “The Roundup: No Way Out” has a current aggregate of $34.1 million and has sold a total of 4.51 million tickets, according to data from Kobis, the tracking service operated by the Korean Film Council.

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Jia Zhang-ke Sets ‘We Shall Be All’ as First Feature Project in Five Years (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Acclaimed Chinese auteur filmmaker Jia Zhang-ke has set “We Shall Be All” as his next feature directing project. It is his first in the five years since his “Ash Is Purest White,” which premiered in Cannes in 2018. Describing the project as a “dismantling of dystopia,” Jia says that the new film is set across the first two decades of the 21st century and tells the story of how a Chinese woman lives to herself in silence, celebrating the prosperous Belle Epoque with songs and dance. Some 22 years in the making, the film’s first elements were shot as far back as 2001. The balance will be filmed later this year. No release schedule has been indicated.

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China Box Office: ‘Spider-Man: Across the Spider-Verse’ Wins Opening Weekend

Patrick Frater Asia Bureau Chief “Spider-Man: Across the Spider-Verse” grabbed top place at the mainland China box office over the weekend with an opening $17.2 million (RMB122 million) score. Giant screen company, Imax reports that $2.7 million, or more than 16% of the film’s China total, came from its Middle Kingdom venues. Chinese online ticketing agency Maoyan forecasts that “Spider-Man: Across the Spider-Verse” will earn a total of RMB241 million or $34 million at current exchange rates. “Fast X,” which had driven off with the spoils for the past two weekends, was overtaken on its third lap and achieved $7.7 million in second place, according to data from consultancy firm Artisan Gateway. After 17 days in Chinese cinemas, “Fast X” has accumulated $124 million, making it the highest-grossing imported titled released this year in China ahead of Japanese animation “Suzume.”

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‘Is She the Wolf?,’ Japanese Reality Show, to Launch on Netflix – Global Bulletin

Patrick Frater Asia Bureau Chief Netflix is to launch a new Japanese reality show “Is She the Wolf?” which was developed with broadcaster Abema and adapted from the original show “Who Is the Wolf” which previously ran for 13 seasons. The show follows five men and five women on a quest for love through dates and a group project. However, some female participants are “lying wolves” who cannot fall in love. They must navigate the entire season without being discovered or accepting any declarations of love. It includes a diverse group of participants aged 22 to 32, including actors, artists, models, and athletes. “Is She the Wolf?” streams exclusively on Netflix in Japan beginning June 11, with new episodes streaming each Sunday. Outside Japan, all episodes will be released on Netflix in September 2023.

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‘Total Control,’ Australian Political Drama, Starts Third and Final Season

Patrick Frater Asia Bureau Chief Australian actors Deborah Mailman and Rachel Griffiths have begun production on the final six-episode season of the Australian Broadcasting Corporation’s award-winning female-led political drama series “Total Control.” With screenplays by Stuart Page, Julia Moriarty, Pip Karmel and Meyne Wyatt, season three picks up almost two years after the explosive events of the second season. Outsider turned kingmaker, Alex Irving (Mailman), is completely at home in the nation’s capital. While Rachel Anderson (Griffiths), now an occasional ally, is threatening to upend the entire system by establishing her own political party. However, as Alex attempts to carve out a nation changing legacy, a controversy engineered by her enemies threatens to destroy her career and public reputation. In the final season, Alex must make a choice: either she can stay true to her principles and accept defeat, or she can get her hands dirty and fight back.

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Hip-Hop Star Khanngoen Nuanual Buys Thai Film Distributor M Pictures

Patrick Frater Asia Bureau Chief Major Cineplex, Thailand’s largest movie industry conglomerate, has announced that it has completed a deal to sell M Pictures Entertainment, one of the country’s leading film distributors. The buyer is local music star Khanngoen Nuanual. The deal was first announced in February and has now been completed, according to a regulatory filing. Both Major Cineplex and M Pictures are companies listed on the Stock Exchange of Thailand. Major Cineplex said that Nuanual had purchased 1.2 billion shares, representing 92.5% of the company, at THB0.54 apiece, implying a total transaction valued at THB650 million ($18.8 million). The filing added that Nuanual is now obliged to make a tender offer to the remaining minority shareholders and that this step is expected to be completed by the end of July.

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Japan’s Kodansha Broadens U.S. Digital Releasing With K Manga Web Platform

Patrick Frater Asia Bureau Chief Responding to an increasingly global demand for Japanese pop culture, the Kodansha comic book publishing firm is to debut a web version of K Manga, its recently-launched U.S. serialization app. The storied firm will mark the launch of the ‘browser version’ of K Manga with a June 22 online party that is held in Japan, but hosted in English and targets manga (comics) and anime (animation) fans in the U.S. With a theme of “The Stories Behind the Stories,” the event will take multiple behind-the-scenes peeks at manga production and include fan greetings from more than a dozen manga creators.

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Sony’s Aniplex Buys Origamix Partners, Hatches Production Deal With Korea’s Imaginus

Patrick Frater Asia Bureau Chief Aniplex, a Sony business unit best known as a major producer and distributor of anime films and series including the hit “Demon Slayer,” is to acquire Japanese IP development and talent management firm Origamix Partners. The firm will be expanded into live-action production. The deal was announced Wednesday and will become effective from June 1. The terms of the acquisition were not disclosed other than Aniplex obtaining “a full share” of the company. Sony said that Origamix, which has previously been behind the “Kingdom” film franchise and the “Alice in Borderland” series, now in its second season at Netflix,” will be renamed Myragion Studio.

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Pattaya Film Festival to Launch in Thailand With Competition and Documentary Pitching Strands

Patrick Frater Asia Bureau Chief The inaugural edition of the Pattaya Film Festival will be held June 15-19 in the Thai seaside town that is usually better known for other forms of entertainment. The event is hosted by Pattaya City and Designated Areas for Sustainable Tourism Administration (DASTA), in collaboration with the Ministry of Culture and the Thai Film Archive, the latter of which doubles up as festival programmer. The event will feature over 20 film titles from around the world, including contemporary and classic films as well as a program for children. All films will be screened free of charge at SF Cinema Marina, Mahatai Pattaya Convention Center, and at the outdoor screen on the beach of North Pattaya.

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JioCinema Claims Simultaneous Viewership Record During IPL Final – Global Bulletin

Patrick Frater Asia Bureau Chief Indian streaming service JioCinema claimed a record for the number of concurrent viewers this week. It reported that 32 million viewers were simultaneously using its service to watch the IPL cricket final match between The Chennai Super Kings and the Gujarat Titans. The platform’s previous peak was 25 million. Chennai eventually won the rain-affected and one-day delayed match Warner Bros Discovery (WBD) has removed its bouquet of 14 channels from Indonesia’s TV largest platform, MNC, ending decades-long affiliate arrangements, Content Asia reported. The decision, confirmed by WBD, involves channels from HBO and Cartoon Network to Discovery and TLC, all of which came off air on May 12. The move is understood to be the culmination of a payments disagreement. In November last year, beIN removds its sports service from MNC. WBD content remains available on three smaller platforms in Indonesia, IndiHome First Media and Trans.

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Shanghai Film Festival Reveals Competition, Golden Goblet Contenders

Patrick Frater Asia Bureau Chief The 25th Shanghai International Film Festival, June 9 to 18, has unveiled the titles in contention for awards in its four main feature-length sections: main competition, Asian New Talent, Animation film and documentary. These are eligible for the festival’s prestigious Golden Goblet Awards, winners of which will be announced at the Shanghai Grand Theater on the evening of June 17. While SIFF remains the only mainland China festival to be accredited as a so-called A-list event by the International Federation of Film Producers (FIAPF), its selections are largely separate and distinct from those at other major international festivals.

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