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‘Bloodthirsty’ Review: Things Get Beastly in the Recording Studio
Dennis Harvey Film CriticAfter putting a youthful, female-centric spin on vampiredom in “Bleed With Me,” Canadian director Amelia Moses does the same favor for werewolves in “Bloodthirsty.” This sophomore feature is likewise a slow-burning tale set among three primary characters in a remote setting. But this time the script is by producer Wendy Hill-Tout and her daughter, singer-songwriter Lowell, who make the pressures of the music industry integral to the story.To a degree, that emphasis may disappoint horror fans who want more of the fanged action that takes its time arriving here.
