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Nick Vivarelli International Correspondent Italian producer Luciano Sovena, who was instrumental to bringing early works by several of Italy’s now-prominent auteurs such as Alice Rohrwacher, Luciano Frammartino, and Saverio Costanzo, to the big screen, has died. He was 73. News of Sovena’s sudden death was announced on Sunday by the Rome and Lazio Film Commission Foundation, of which he was president. The cause of death was not disclosed. The foundation paid tribute to Sovena as “A great and generous professional; a friend of Italian cinema,” in a statement. It went on to note that he was “Ironic, ‘simpatico’ and open to everyone.”

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Aki Kaurismaki’s ‘Fallen Leaves’ Debuts Trailer Ahead of Cannes Premiere, The Match Factory Reveals Sales

Leo Barraclough International Features Editor Sales agency The Match Factory is launching the trailer (below) of Finnish director Aki Kaurismäki’s “Fallen Leaves,” which will premiere at the Cannes Film Festival in Competition. This gentle tragicomedy is the fourth part of Kaurismäki’s working-class quartet, following “Shadows in Paradise,” “Ariel” and “The Match Factory Girl,” which The Match Factory, the company, is named after. The film tells the story of two lonely people (played by Alma Pöysti and Jussi Vatanen) who meet each other by chance in the Helsinki night. They then try to re-find each other: the first, only, and ultimate love of their lives. Their path toward this goal is clouded by the man’s alcoholism, lost phone numbers, not knowing each other’s names or addresses, and life’s tendency to place obstacles in the way of those seeking their happiness.

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Doc Fest Visions du Réel Chief Emilie Bujès on Packed Theaters, Festival Rivalry, Industry Activity

Lise Pedersen As Switzerland’s international documentary film festival Visions du Réel is about to wrap up, its artistic director Emilie Bujès, who’s been running the show since 2017 and was part of the selection committee for several years before that, told Variety that packed theaters throughout the 10-day event are proof that the public is back. She was very pleased to note that many of the 163 screenings were packed – “even the retrospectives!” – and she was delighted to have two women filmmakers among her guests. “They were fantastic. Symbolically, to have two strong women who were so generous with the audience – it was paradise,” she said of Alice Rohrwacher, who will be in Cannes’ main competition with “La Chimera”, and acclaimed Argentinian filmmaker Lucrecia Martel, whose upcoming project, “Chocobar,” will be her first foray into feature-length non-fiction.

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Martin Scorsese Gets Behind Rescue Plan For La Clef Cinema In Paris As Activists Announce Breakthrough

Martin Scorsese has re-voiced his support for Paris’s La Clef community cinema, following news that activists fighting to save the venue have secured the right to buy the site.

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Cannes Festival Adds ‘Black Flies’ With Sean Penn, Catherine Corsini’s ‘Le Retour’ to 2023’s Official Selection

Elsa Keslassy International Correspondent Jean-Stéphane Sauvaire’s “Black Flies” starring Sean Penn, and Catherine Corsini’s “Le retour” have been added to the competition lineup of the upcoming 76th Cannes Film Festival. As many as 13 movies have been peppered across several sections, including the competition, special screening, Un Certain Regard and out of competition. Robert Rodriguez’s “Hypnotic” and Kim Tae-gon’s “Project Silence” are joining the Midnight Screening roster, while Amat Escalante’s Mexican drama “Perdidos en la Noche” and Argentinian helmer Lisandro Alonso’s thriller “Eureka” starring Viggo Mortensen and José María Yazpik, will bow at Cannes Premiere, a non-competitive section launched in 2021. Alonso previously won Cannes’ Un Certain Regard with his 2014 movie “Jauja.” Also slated for Cannes Premiere is Valerie Donzelli’s drama “L’Amour et les forets.”

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Cannes Makes New Record As Alice Rohrwacher, Jessica Hausner & Catherine Breillat Are Among 6 Female Directors In Competition

Kicking off on May 16, the Cannes Film Festival is around the corner, and the lineup was announced this morning alongside the names of six female filmmakers that will be participating this year that have films in competition. It’s a small number, but a new record for the festival.

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International Insider: Cannes Lineup Roars; Don’t Forget Mip TV; Rebranding To The Max

Good afternoon Insiders, Max Goldbart here penning the weekly mailer a day after Cannes revealed its long-awaited lineup. Read on for all the details and plenty more, and sign up to the International Insider here.

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Cannes Makes New Record As Alice Rohrwacher, Jessica Hausner & Catherine Breillat Are Among 6 Female Directors In Competition

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Cannes 2023 Lineup Announced With ‘Asteroid City’, ‘Indiana Jones 5’ And Many More Set To Premiere

Stars are getting ready to walk the Croisette.

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Cannes Film Festival Lineup Announced – Updating Live

Refresh for latest…: While a handful of big-ticket Cannes Film Festival titles have already been revealed, the bulk of the Official Selection for the 76th edition will be unveiled today. General Delegate Thierry Frémaux is announcing the lineup for the May 16-27 event from Paris’ UGC Normandie cinema this morning and we are updating the list live below; you can also watch the livestream here.

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How To Watch The Cannes Film Festival Lineup Announcement – Livestream

The Cannes Film Festival will announce the lineup for its 76th edition Thursday morning at 11 a.m. Paris time (2 a.m. PT/5 a.m. ET). The press conference will stream live from the UGC Normandie cinema on the Champs-Elysées.

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Alice Rohrwacher & Alfonso Cuarón’s ‘Le Pupille’ Draws Inspiration From Classic Italian Cinema – Contenders Film: The Nominees

“I wanted to create a film that was out of time,” Italian filmmaker Alice Rohrwacher says about her Oscar-nominated live action short, Disney+ Original Films’ Le Pupille. “That was classic, but also hand-made.”

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‘Ingeborg Bachmann’ Producer Tellfilm Lines Up Paranoid Thriller ‘Motherhood,’ Musical Drama ‘Gloria,’ Launches First Series Project (EXCLUSIVE)

Ben Croll Zurich-based Tellfilm, the Swiss outfit behind this year’s Golden Bear contender “Ingeborg Bachmann – Journey into the Desert,” has lined up a robust co-production slate, teaming with European partners on the psychological thriller “Motherhood” and the period drama “Gloria!,” while developing their first scripted series “How to Be Sad – The Right Way” with an eye towards global streamers. Co-produced by Austria’s Freibeuter Film (“The Great Freedom”) and with Germany’s The Match Factory handling international sales, the Johanna Moder directed “Motherhood” will tackle maternal anxieties and regrets through the lens of a tense psychological thriller. Production is slated for later this year, with actors Marie Leuenberger and Hans Löw signed as leads. “The Square” star Claes Bang is attached as well.

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‘Le Pupille’: Why Music Was Important for the Story of Italian Orphan Girls in Oscar-Nominated Short

Jazz Tangcay Artisans Editor Filmmaker Alfonso Cuaron wanted to explore making a series of short films honoring the different cultural traditions at the end of the year, from Christmas to Hanukkah to pagan traditions. His concept was to find a director suited to telling the story, depending on the culture. When it came to Christmas, Cuaron says, “That time of year is meaningful in most cultures. It’s the end of the darkest nights and the beginning of a new cycle. I immediately thought of Alice Rohrwacher. I’m a huge fan and have been ever since I saw ‘The Wonders’ and her short films.” Written and directed by Rohrwacher, “Le Pupille,” (The Pupils) the 37-minute short now streaming on Disney+, was produced by Cuaron in tandem with her regular producer Carlo Cresto-Dina.

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The Match Factory Appoints New Acquisition and Development Team (EXCLUSIVE)

Leo Barraclough International Features Editor Cologne-based sales company The Match Factory has expanded and restructured its acquisition and development team. Former head of sales, Thania Dimitrakopoulou, has been promoted to vice president of acquisitions and sales. Claudia Solano comes on board as senior manager of acquisitions, and Cécile Tollu-Polonowski, a long-time partner with the company, has been appointed as head of development. Dimitrakopoulou, who joined The Match Factory in 2007, will now be heading up all acquisitions activities and manage the sales team, reporting to Michael Weber, managing director.

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Rotterdam Film Festival Reveals Full Program Including Tiger Competition

This year’s International Film Festival Rotterdam (IFFR) has unveiled the 16 films selected for its flagship Tiger Competition. Scroll down for the full list.

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Alice Rohrwacher Unveils Short ‘Pupils’ in Cannes Produced by Alfonso Cuaron – Clip (EXCLUSIVE)

Nick Vivarelli International CorrespondentItalian director Alice Rohrwacher, whose “The Wonders” and “Happy as Lazzaro” both won prizes in Cannes, is back at the fest with “The Pupils,” a short film that is screening during her masterclass in the “Rendez-vous With…” section.Variety is unveiling an exclusive clip (above).Written and directed by Rohrwacher, the 37-minute short is backed by Disney and was produced by Alfonso Cuaron in tandem with her regular producer Carlo Cresto-Dina. It features a cast comprising the director’s sister and regular collaborator, Alba Rohrwacher, actor-director Valeria Bruni Tedeschi — whose latest directorial effort “Forever Young” is competing in Cannes — and also Melissa Falasconi, Carmen Pommella, Greta Zuccheri Montanari, Luciano Vergaro — aka “Catirre” — and Tatiana Lepore.

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Neon Takes North America On Alice Rohrwacher’s ‘La Chimera’ – Cannes

Neon has landed North American rights at Cannes to La Chimera, the tomb-robbing drama from writer-director Alice Rohrwacher that stars Josh O’Connor and Isabelle Rossellini.

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Neon Buys Josh O’Connor and Isabella Rossellini’s ‘La Chimera’

Manori Ravindran International EditorNeon has acquired the North American distribution rights to Alice Rohrwacher’s “La Chimera,” starring Josh O’Connor and Isabella Rossellini.Written and directed by Rohrwacher, the film is set in the 1980s in the clandestine world of the tombaroli (tomb robbers) and tells the story of a young English archaeologist (O’Connor) who gets caught up in the illegal trafficking of ancient finds.The cast also includes Carol Duarte, Alba Rohrwacher and Vincenzo Nemolato. The film has wrapped phase one of production in Tarquinia and southern Tuscany and will continue in August and September in central Italy and Switzerland.The film is produced, as all of Rohrwacher’s previous films, by Carlo Cresto-Dina with his company Tempesta and long-time backers Rai Cinema, in co-production with Neon, Amka Films (Switzerland) and Ad Vitam Production (France), and in partnership with Arte France Cinema, Canal+, Ciné+, RSI/SSR SRG (Switzerland) and French distributor Ad Vitam.

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Alice Rohrwacher to Present Alfonso Cuaron-Produced Short ‘Pupils’ at Cannes

Elsa Keslassy International CorrespondentAlice Rohrwacher, the Italian director whose “The Wonders” and “Happy as Lazzaro” both won prizes at Cannes, is returning to the festival with “The Pupils,” a short film that will screen during her masterclass in the “Rendez-vous With…” section.Penned and directed by Rohrwacher, the 37-minute short is backed by Disney and was produced by Alfonso Cuaron and Carlo Cresto-Dina. It boasts a cast that includes Alba Rohrwacher, actor-director Valeria Bruni Tedeschi — whose latest movie is competing at the festival — Melissa Falasconi, Carmen Pommella, Greta Zuccheri Montanari, Luciano Vergaro — aka “Catirre” — and Tatiana Lepore.Shot in Super 16 and in 35mm format, “The Pupils” is a facetious coming-of-age fable that follows rebellious little girls at a Catholic boarding school in the run up to Christmas in a time of scarcity and war.

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‘The Tale of King Crab’ Review: A Loner Follows His Heart (and a Bright Red Crustacean) on a Singular Treasure Hunt

Peter Debruge Chief Film CriticIn the Italian town of Vejano, local hunters gather to share stories rich enough to inspire movies. Over the past decade, filmmakers Alessio Rigo de Righi and Matteo Zoppis have been dutifully documenting these sessions — some fact-based, others blurring the lines of reality — translating them to screen via films that entertain, while also testing what audiences might believe.

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