Unlike Adapted Screenplay, the Original Screenplay category is not only more competitive but likely more settled. Kenneth Branagh‘s autobiographical “Belfast” is pretty much a lock for a nomination (he earned an Adapted nod for “Hamlet” in 1998) and it’s likely Zach Baylin lands a nod for “King Richard.” Moreover, we have a gut feeling MIke Mills‘ “C’Mon C’Mon” will also make the cut, especially after his nod in this category for “20th Century Women” in 2016.
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