Between her job as a French-English interpreter, the prospect of romantic fulfillment, and the impending deterioration of her father’s health, the woman holding together all the threads in Mia Hansen-Løve’s “One Fine Morning” navigates a wide spectrum of human emotion.
In the director’s follow up to last year’s English-language meta homage “Bergman Island,” Sandra (Léa Seydoux) oscillates between desire and grief with believable fluidity.
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