Guy Lodge Film CriticBack in 1995, in the midst of cinema’s brief fixation with Jane Austen, director Roger Michell made the definitive film of “Persuasion”: as literate and elegant as it was underestimated upon release.
That same year, Amy Heckerling set the bar for modernized Austen adaptations with her lithely funny and era-defining “Emma” riff “Clueless.” A quarter-century later, the straightforwardly titled “Modern Persuasion” falls some way short of either benchmark.
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