Regardless of genre, the films of South Korean auteur Bong Joon Ho persistently probe at the divide between the powerful and the powerless.
The shape of that power is often tied to whatever cinematic form with which Bong is playing. In his directorial debut, the darkly comedic “Barking Dogs Never Bite,” a struggling academic and social climber aim their career frustrations at other people’s pet dogs, whom they perceive as receiving more attention than they do.
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