‘Mayday’ First Look: Mia Goth Teaches Grace Van Patten To Put The Boys In The Crosshairs [Sundance Exclusive Clip]

Dave Grohl's pitch for was succinct but effective, because the rest of the Foo Fighters immediately jumped at the «wild» idea.ET's Matt Cohen caught up with Grohl and the rest of his bandmates at TCL Theater in Los Angeles for the premiere of their horror comedy, which hits theaters Feb. 25. When asked what his pitch to the guys was for this film, Grohl didn't skip a beat and laid out exactly what he envisioned.«Food Fighters need to make a record,» Grohl's pitch begins.

Millie Bobby Brown just turned 18 and she had her boyfriend Jake Bongiovi by her side for the celebrations!

The conclusion to Hallmark’s popular The Wedding Veil trilogy – The Wedding Veil Legacy – is airing tonight!

Lindsey Pearlman, an actress who appeared on shows like General Hospital and Chicago Justice, has passed away at the age of 43.

Ex-Miami Dolphins head coach Brian Flores, who is suing the National Football League for discrimination in its hiring practices, has landed another NFL job.

Los Angeles Unified School District will drop outdoor masking requirement for students and staff next week, the schools superintendent announced Friday. However, masks will still be  required indoors at schools across the state.

Manchester United - leaving Aaron Wan-Bissaka’s future in serious doubt.The £19 million Portuguese ace, 22, has made the right-back position his own in recent weeks after winning his first-team battle against ex-England Under 21 international Wan-Bissaka.Dalot has 15 months left on his present deal but the club have an option to trigger an additional year.And the Reds have decided already to exercise that clause in order to protect themselves against any cut-price offers in the close season.Both AC Milan, where he spent last term on loan, and German club Borussia Dortmund failed with bids to sign the ex-Porto starlet last summer. Should Dalot continue to impress under interim boss Ralf Rangnick, United will be keen to open talks over an improved new deal - in order to tie him down long-term.

weight drop off.It helped Tiffany, a customer support advisor from Merseyside, to build up her confidence.And she joined a gym when she got back to the UK from Australia and New Zealand in August 2020 – dropping 7st 2lb.She is now down to a healthy 9st 6lb – and fits into a svelte size 8 to 10.Tiffany added: “I look at old photos and I can’t believe what I’ve achieved. I get so many people asking what I did and asking how long it takes.“It does take time and commitment to lose weight.“But it’s all worth it in the end and I hope I can encourage people to stick with it.

Frank Lampard and Ashley Cole left separate to the Everton team after their defeat to Southampton.The Toffees were rolled over on their Premier League travels once again as they were beaten 2-0 by the Saints.They've picked up just six points on the road this season, though that record is largely inherited from Rafa Benitez's torrid spell in charge.However, since Lampard took charge last month he has lost his first two away matches.And he and first-team coach Cole were clearly not in the mood to be social for their journey back to Merseyside from the south coast.They both left in their own cars after the team coach had already departed St Mary's Stadium. Ex-Chelsea defender Cole hung around for a while to sign autographs, but his former team-mate Lampard zoomed off.Speaking after the match, the Everton boss told BBC Sport: "The first half was not fantastic, the first 15-20 minutes were OK and we might have been ahead.

food hall in London.The news comes after chef Raymond Blanc called white bread a 'stain on UK heritage' as he urged Brits to ditch it back in January.The 72-year-old French chef, who is originally from Besançon, but now lives in Oxford, urged Brits to make their own loaves instead.Speaking to The Sun, the restaurateur said: "Everyone should start doing their own sourdough or focaccia — because white sliced bread is a stain on Britain's food heritage."He also said he was horrified by the number of additives in slice white bread, referring to The Bread and Flour Regulations 1998, which requires industry brands to add iron, calcium, thiamin and niacin to all wheat flour except wholemeal flour.The chef added: 'It's frightening because you see white bread in a bag for two weeks without a bit of mould."You wonder what the hell is in it? It is simply bad food." Get all the biggest Lifestyle news straight to your inbox. Sign up for the free Daily Star Hot Topics newsletter

Declan Donnelly and Ant McPartlin love to rub people up the wrong way on their ITV show Saturday Night Takeaway.In Saturday's (February 19) segment of the show, the person who faced the brunt of the famous double team was none other than potty-mouth Jeremy Clarkson.Jeremy was forced to watch the scene back and he looked less than impressed - and fans certainly noticed.In the clip, Jeremy, who was filming for his show Clarkson's Farm at the time, was hit with protests which left him utterly confused, but as he went to defuse the situation, it enhanced.As the protesters (who were actually Ant and Dec in disguise, alongside other actors) took action and handcuffed themselves to Jeremy's car and, pushing it even further, soil was dumped on his vehicle."Officers" were already called to the scene after Jeremy ordered the protesters to leave - but it didn't quite go his way...As one protester was arrested, the officers soon added a twist as they revealed Jeremy was also going to be arrested.The officer told the protester that he was being arrested due for criminal damage, as Jeremy made a comment about being out in "20 minutes".He then turned to Jeremy and said: "Mr Clarkson, can I ask you just to calm down, your continued presence here constitutes as breach of peace, so I'm also arresting you."Jeremy firstly told the officer: "Good luck with that," before he began swearing multiple times on the show, prompting the officer to add: "And that's abusive behaviour."A "protester" then shouted: "You can't arrest him! You're not a police officer, we're not protesters!," with Dec adding: "Because he's on Ant and Dec's Saturday Night Takeaway."As the scene was shown on air, Jeremy was seen watching it in the background - and he looked

Ann-Marie Corvin “Mayday,” which took its first European bow at the Rotterdam Film Festival this week after premiering at Sundance, is the debut feature of U.S.

Peter Debruge Chief Film CriticLike the Sirens of Greek mythology dolled up in Wes Anderson-esque Girl Scout uniforms, the four young women in Karen Cinorre’s stylish yet surface-level feminist fantasy “Mayday” lure off-screen soldiers to their deaths with invented pleas for help. “They can’t resist a lady in distress,” says Marsha (Mia Goth), coaching newcomer Ana (Grace Van Patten) on how to craft an enticing SOS call.

Ana (Grace Van Patten), a lowly hotel worker, finds herself transported to another world where a war is raging and a clutch of young women lure men to their deaths at sea via radio transmissions, like 20th century sirens, in Mayday, a U.S. Dramatic Competition entry at this year's Sundance.

Female trauma’s been given a serious workout in cinema, liberally exercised in the fantasy genre of late. The celebrated “Promising Young Woman,” while dark satire, uses hot pink revenge fantasy to acerbically explore unresolved trauma (its we live in a society bias nicely unpacked here), and fellow Sundance film, “The Blazing World,” attempts to fall down the rabbit hole of make-believe and similar flight-or-flight responses to emotional scars, only to grotesquely exploit it with its awkward tumble.

Curious is the current emphasis on women’s trauma in American genre film—the way it’s discussed online, marketed, singled out in the headlines—as if trauma were not already deeply embedded in the historical fabric of horror movies. Of course, in a time when more women filmmakers than ever are being given the opportunity to tell their stories, the rise of feminist horror should come as no surprise, especially given the #MeToo phenomenon and efforts to destigmatize mental illness.

For most teens, the scariest hurdle they’ll face is asking their crush out on a first date. But on this night, for the bashful Mike (Tyson Brown), preparing for his first outing with the headstrong Kelsey (Shelby Duclos), courting is the least of his issues.

When a person watches a movie as terrible as “Mother Schmuckers,” the natural thing is to examine the seams to see if this awfulness was indeed the point. The movies that turn into this skid almost always fail because there’s no way to capture the earnest magic that resides in the “so-bad-it’s-good” cannon, much in the same way that one can either see Shoeless Joe Jackson in an Iowa cornfield, or they can’t.

Rounding out his trilogy of Oakland based verité documentaries, which includes 2012’s “The Waiting Room” and 2017’s “The Force,” Peter Nicks’ newest, “Homeroom,” is a poignant look at the 2019-20 school year in Oakland, CA, in which the compounding issues around defunding the police and COVID-19 force the school district to reevaluate their priorities. Centralizing Denilson Garibo, a high school senior, who serves as one of the student directors on the Board of Education, for the Oakland Unified School District and representative, as he often likes to remind other board members, for the 36,000 students within the district, Nicks tracks Garibo’s pursuit to eliminate police presence within the school system.

A first date can really be stressful. What do you wear? What do you say? Do you try to act cooler than you actually are or just be yourself? And if you’re a teenager without a car, what the hell are you going to drive to pick your date up in? Well, that’s just the beginning of the problems that face shy teen Mike in the aptly titled Sundance film, “First Date.” With the premiere of “First Date” this weekend at the 2021 Sundance Film Festival, we’re happy to give our readers an exclusive clip from the film that shows just one of the obstacles that stand in the way of Mike and his date with Kelsey.

In this virtual era, it goes without saying that much of the communal aspect of a film festival has evaporated. Strangers don’t compare notes waiting inline or with their neighbor before a film begins.