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variety.com
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Eric Clapton Bringing Crossroads Guitar Festival to L.A., With 41 Guests Ranging From Buddy Guy to the War on Drugs
Chris Willman Senior Music Writer and Chief Music Critic Eric Clapton announced Monday that his recurring Crossroads Guitar Festival will take place in Los Angeles this fall, with a roster of 41 guest musicians or bands set to take the stage across two nights at Crypto.com Arena in Los Angeles Sept. 23-24. Musicians due to perform one or both nights include Santana, the War on Drugs, the John Mayer Trio, ZZ Top, Sheryl Crow, Gary Clark Jr., H.E.R., Buddy Guy, Los Lobos, Vince Gill, Stephen Stills, Jimmy Vaughan, Robbie Robertson, the Del McCoury Band and Joe Bonamassa. Others announced include John McLaughlin, Albert Lee, Doyle Bramhall II, Keb’ Mo’, Roger McGuinn, Robert Randolph, Jakob Dylan, Sierra Hull, Marcus King, Eric Gales, Sonny Landreth, Pedro Martins, James Bullard, Andy Fairweather Low, Samantha Fish, Ariel Posen, Ben Haggard, Christone “Kingfish” Ingram, the Bros. Landreth, Kurt Rosenwinkel, Gustavo Satnaolalla, Danial Santiago and Bradley Walker.
variety.com
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‘Rare Objects’ Review: Katie Holmes Directs and Costars in a Movie About Mental Illness, Antiques, and Recovering from Trauma
Owen Gleiberman Chief Film Critic Benita (Julia Mayorga), the young woman at the center of “Rare Objects,” the third feature directed by Katie Holmes, has been through a transformative trauma. In the film’s opening moments, she’s discharged from a mental ward, where she’s been dealing with PTSD; a series of charged flashbacks show us what happened to her. In Manhattan, where she was a university student majoring in economics, she was approached at a bar by a seemingly nice guy, who had a drink with her, and when she went to the restroom he attacked her, shoving her inside and sexually assaulting her. She emerges from this crime a shell of her former self, and Holmes shoots the rape so that we experience how the shock and horror of it could undermine someone’s identity. Benita, out of the hospital, shows up at the home of her doting but quietly stern mother (Saundra Santiago) in Astoria, telling her that she’s taking a break from school; she says nothing at all about what happened to her. She’ll continue to say nothing — to anyone. As she steps back out into the world, hunting for a job, Julia Mayorga acts with a tentative fretful wariness that speaks to the trauma Benita won’t say out loud, and we assume that the movie is going to be about how she confronts that crisis.

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