Guy Lodge Film CriticIn a small Arabic village in Israel, at what is meant to be the emotional crescendo of a crowded, elaborate wedding, several cages are opened to release a flight of doves into the air.
Except “a waddle of doves” might be a more appropriate term, given the birds’ reluctance to spread their wings, as they tip-claw tentatively into the outside world.
One of the funniest visual gags in Israeli writer-director Eran Kolirin’s “Let It Be Morning” is also its most telling: This is a farce of stasis, not frenzied activity.
By holding his characters literally captive — as the village is held, absurdly but violently, under siege — Kolirin forges an actual microcosm through which to examine the social and political status of.
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