Owen Gleiberman Chief Film CriticIt was 19 years ago that Nick Broomfield, that spiky and compelling one-man band of documentary filmmakers, released “Biggie & Tupac” (2002), his chilling, no-frills, down-the-mean-streets-of-Compton investigative look into the murders of Tupac Shakur and Biggie Smalls.The movie arrived at a moment when Broomfield had begun to style himself as a kind of high-end tabloid detective, plumbing the mysteries behind such sensational stories as the rise of Heidi Fleiss (“Heidi Fleiss: Hollywood Madam”), the suicide of Kurt Cobain (“Kurt & Courtney”), and the life and death of the serial killer Aileen Wuornos (Broomfield made not one but two films about her). “Biggie & Tupac” didn’t present definitive evidence of.
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