Jonathan Cohen It’s already the most prolific band you’ve heard of but never listened to, but after 18 wildly different albums in a decade, Australia’s King Gizzard and the Lizard Wizard is still just getting warmed up.
On the heels of two loud and unusual LPs written in the decidedly non-Western microtonal tuning, King Gizzard’s latest release, “Butterfly 3000,” marks a radical shift toward smile-inducing songs built on synth arpeggios, danceable beats and honest-to-goodness singalong choruses.The new album arrives just as King Gizzard is having something of a moment in the U.S.
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