Dennis Harvey Film CriticA usurper melodrama by any other name is still a usurper melodrama, and Fabrice du Welz’s latest doesn’t really try to cloak its genre conventions: “Inexorable” might just as well be titled “Single White Female Nanny” or “Fatal Domestic.” Still, if this isn’t the most surprising or original among the Belgian helmer’s character-driven thrillers to date, it does compel attention with its elegantly crafted tale of a wealthy family infiltrated by a young woman with a hidden agenda.
The mix of art-house bona fides and pulp satisfactions should put the Toronto fest world premiere in a position to attract sales in various formats around the globe.Having appeared in the director’s last film “Adoration,” Benoit Poelvoorde.
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