Nick Vivarelli International CorrespondentTo shoot Italian director Michelangelo Frammartino’s eclectic dialogue-free drama “Il Buco,” about a group of speleologists who in 1961 discover Europe’s deepest cave, veteran Swiss director of photography Renato Berta and Frammartino first had to do some soul searching.“To prepare, with Michelangelo, we watched lots of movies together that we agreed and disagreed about,” he says.
Then, after those discussions, “the photography came as a consequence.” The ace cinematographer and bold experimenter, who has worked with European greats such as Jean-Luc Godard, Alain Resnais, Éric Rohmer, Manoel de Oliveira, and who lensed Louis Malle’s 1987 Venice Golden Lion winner “Au revoir les enfants,” had never.
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