astonishing biopic of Elvis Presley in which the petrified young star-on-the-ascent, played with uncanny likeness by emerging talent Austin Butler, is heckled by hillbillies for his effete looks.
A charmer in the crowd calls him a “fairy” for his bubblegum pink suit, heavily gel-slicked hair and smokey eyeliner, at which he locks eyes with the audience member and promptly unleashes merry hell on stage, teenage girls overcome with hysteria at his hip-thrusting, lip curling, devilish swagger and magnetic presence.
It’s a moment that perfectly encapsulates the fascinating duality of the performer, who’s become more myth than man; on one side all masculine bravado and sexual prowess, on the other a razzmatazz showman who could give Liberace a run for his beadwork.Elvis, which is released in the UK this Friday, is already generating Oscars buzz thanks to Luhrmann’s expansive storytelling of The King’s meteoric rise, and tragic fall.
Alongside the star wattage of the cast – Tom Hanks as his crooked manager Tom Parker and newcomer Olivia DeJonge as a kittenish Priscilla Presley – one of the most spellbinding aspects is how the clothes created the legend that was Elvis.
Read more on telegraph.co.uk