Guy Lodge Film CriticHungarian auteur Bence Fliegauf made a head-turning debut in 2003 with his microbudget portmanteau drama “Forest,” which strung together a series of intensely performed two-hander vignettes depicting relationships in various forms of crisis.
As a collection of miniatures, it promised intriguing things from Fliegauf, once given a larger canvas to work with — a promise largely fulfilled by such variously ambitious, unusual works as his Eva Green-starring sci-fi oddity “Womb,” the shattering massacre study “Just the Wind” and the mournful, reality-blurring mood piece “Lily Lane.”In returning to the formal and thematic terrain of “Forest” for a standalone spiritual sequel, however, the director has taken an odd step.
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