Owen Gleiberman Chief Film CriticWerner Herzog has always thirsted for the uncanny. It’s there in the primal awe he imparted to a grizzly bear in “Grizzly Man,” the cracked rapture of Klaus Kinski’s glowering megalomaniacal conquistador in “Aguirre, the Wrath of God,” the mysteriously intoxicating natural ice-sculpture formations of “Encounters at the End of the World.”In his new documentary, “Fireball: Visitors From Darker Worlds,” Herzog hits us with an image in the first two minutes that’s as jaw-droppingly whoa!
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