Screenwriter Mark Boal has received worldwide acclaim for his highly detailed screenplays of military operations in the Kathryn Bigelow films, “The Hurt Locker” (for which Boal won the Oscar) and “Zero Dark Thirty.” He brings a journalist’s mind for detail—he was one for Rolling Stone, Playboy, and others—to his projects, and one can feel the veracity of his life’s work in his latest project, mostly in its elaborate action set pieces, usually long, dialogue-free sequences of soldiers meticulously trying to complete their missions.
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