For her film CODA, filmmaker Siân Heder found that delving deep into the cultural differences between the deaf and hearing communities to be wildly informative in creating a fresh cinematic experience.“I was very excited kind of by the specificity and yet the universality of the story,” Heder said during the Apple Original Films panel Saturday at Deadline’s Contenders Film: New York, where she was joined by production designer Diane Lederman.
Heder noted that that precious few film as detailed as CODA‘s exploration of the dynamics of deaf culture had been made since 1986’s Children of a Lesser God, and that it was necessary to have deaf collaborators in front of and behind the camera.Along with cast members including Marlee Matlin and Troy
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