Whether or not you know, or think you know, the real-life story of Dana Higginbotham, about her five-month abduction and torture, about her famous playwright son transforming the horror into art and testimony, about the actress who gives voice to unthinkable trauma without uttering a single word, Lucas Hnath’s Dana H.
will throw you again and again in its fewer than 90 minutes.In tandem with Tina Satter’s equally captivating Is This A Room – they share, on alternate nights, the stage of the Lyceum Theatre – Dana H.
is, as much as anything, an example of the weird and unexpected space made on Broadway by a pandemic-reduced roster of productions.
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