If there’s a better, more vital way to honor the late, incomparable Stephen Sondheim than Marianne Elliott’s superb production of Company, Broadway hasn’t invented it.
This gorgeous revival of the Sondheim-George Furth masterwork at the Bernard B. Jacobs Theatre, is, from across-the-board excellent performances and thoughtful revisions to the visual delight of a lovely and ingeniously clever set design, a gift both to and from the genius we lost last month.With its attention-getting gender-switching premise bringing a freshness and nuance that’s nothing short of near-miraculous for a much-revived 51-year-old musical, Elliott’s Company challenges Broadway’s current production of 1955’s Trouble in Mind as the most dizzying time-warp
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