Chris Pratt and Katherine Schwarzenegger rent a $70k/month beach house as summer ends

he will be leaving the show after next spring’s season.“I’ve been wrestling with this for a while and I’ve decided that it’s time for me to step away from ‘The Voice’ after Season 23,” Shelton, 46, announced in a statement posted on Instagram last night.To say that it is the end of an era is putting it mildly. Shelton has been the honky-tonk heart of “The Voice” since it began.

Netflix show ever. The platform’s statistics for the week of Oct. 3rd to the 9th showed that the drama, starring Evan Peters as notorious serial killer Jeffrey Dahmer, drew in 205.33 million hours of viewing time worldwide.

John Stamos has opened up about the “insecure” final days of his beloved “Full House” co-star Bob Saget, who died alone at 65 in an Orlando hotel room last January.“When Bob died, one of the things that broke my heart the most was that there was a tsunami of love for him, but he didn’t see it,” Stamos told the Los Angeles Times during an interview for his Disney+ show, “Big Shot.”“I know he didn’t realize how loved he was. He was very insecure.

A teenage horse rider came 'millimetres' from death when she collided with a lorry which hurtled past her and 'spooked' the animal.

EXCLUSIVE: Neal Brennan has a new comedy special titled Neal Brennan: Blocks on Netflix and it will be released globally on November 8.

EXCLUSIVE: Following a competitive bidding war, Universal Pictures has landed the rights to Marcus Kliewer’s short story The Caretaker with Sydney Sweeney attached to star and produce. Michael Bay and Brad Fuller will also produce through their Platinum Dunes banner along with Scott Glassgold through his Ground Control banner. Sweeney is producing through her Fifty-Fifty Films banner with her partner Jonathan Davino. Karl Gajdusek is adapting the script.

EXCLUSIVE: Oliver de la Hoz has been hired as Chief Financial Officer of Allen Media Digital, a division of Byron Allen’s Allen Media Group (AMG).

EXCLUSIVE: The Producers Guild of America has named the producers chosen for its second annual PGA Create lab, designed to support emerging and mid-career creative producers from underrepresented backgrounds. 

EXCLUSIVE: Parul Agrawal, a longtime drama executive at Warner Brothers Television, has been promoted to SVP and head of drama development. Reporting to Clancy Collins White, EVP and Head Of Development, she succeeds Leigh London Redman, who left in July to become President of Berlanti Productions.

EXCLUSIVE: Shout! Factory has promoted Julie Dansker to SVP of Streaming and Content Strategy. She had been Head of New Content Sales at the multi-platform film and TV distribution, development and production company.

EXCLUSIVE: Discovery+ and ID are exploring the real story behind Fox’s hit series Glee.

Scarlett Johansson says she became “objectified” as a young actor and was and pigeonholed into a “hypersexualized” career.

EXCLUSIVE: RLJE Films, Shudder and AMC+ have fully financed and picked up distribution rights to The Apology, a previously unannounced thriller starring Anna Gunn (Breaking Bad), Linus Roache (My Policeman) and Janeane Garofalo (Wet Hot American Summer). RLJE Films will release the pic in theaters on December 16, with the title becoming available for streaming on Shudder and AMC+ the same day.

Folks might have forgotten now since it’s been nearly 20 years since the original reports, but way back when, Darren Aronofsky was attached to a reboot of the “Batman” franchise that would have been incredibly unique. This was before Matt Reeves and Christopher Nolan took their shots at the character and would have featured a much more adult version of the Caped Crusader.

Gordon Cox Theater Editor The Tony-winning Broadway revival of “Take Me Out” returns this fall, and Jesse Williams is back with it. In Richard Greenberg’s 2002 play, the “Grey’s Anatomy” actor plays a biracial baseball player who comes out as gay at the height of his career. Why bring “Take Me Out” back to Broadway? We weren’t done. We had a lot more in the tank, and I felt like we were really hitting a new stride. The possibility of coming back was brought up to me before we even finished the first run, and frankly, I didn’t want to do it; I was tired and missed my children. But once I was able to recharge at home, I just kept thinking about the show. I’d find myself running lines in the shower or just doing scenes alone while I was sailing.

Aidy Bryant Not to sound like a cigar-in-mouth Hollywood blowhard, but Bowen Yang is a star. Bowen is effortlessly funny and a pillar at “Saturday Night Live.” Bowen is the emotional heart of “Fire Island.” Bowen looks perfectly placed on a red carpet in platform boots — a hunk for the ages. To audiences and our industry, he feels like an old friend — like he belongs, and we need him. So it’s easy to forget that Bowen is still new. He’s just starting his fourth year on “SNL.” I don’t mean this to diminish him. What I mean is, we have only had our first glances at his talent, just barely breaking the surface of what he’s capable of.

The Duffer Brothers “A young Janeane Garofalo.” That’s how we originally pitched the character of Robin in “Stranger Things.” But that’s about all we had. Well, that and two short scenes where Robin hands out ice cream with Steve Harrington. We just didn’t really know who Robin was — what made her interesting, what made her stand out. That is, until our casting director, Carmen Cuba, gave us the three-word answer: “She’s Maya Hawke.” “Who?” we asked. “Just … trust me,” she said. Fast-forward six months, and we’re shooting in that ice cream shop, and Maya pulls us aside and asks, “So … are you guys basically just writing … me?” We had to laugh, because the answer was, “Well, kinda, yeah!” Because the thing about Maya? She’s much more interesting than any original character we could ever make up. She’s hilarious, she’s whip-smart, she’s very honest and real, and she’s just awesomely weird, her energy some mix between a playful, excited teenager and a wizened Hollywood actor who’s seen it all. She is just so uniquely Maya, and we became obsessed with capturing her essence and putting it out into the world, because she felt like one-in-a-million. (Although we’re sure Maya would like us to add that, unlike the character of Robin, she’s not a weird runner. She runs like a regular human, thank you very much.)

Cynthia Nixon Guest Columnist Sara Ramírez isn’t a double threat or a triple threat — they’re an infinity threat. Mike Nichols alerted me to the existence of this superhuman when he was directing Sara in “Spamalot.” Nichols had a nose for talent and was famously the discoverer of Robert Redford, Dustin Hoffman and Whoopi Goldberg. In all the time I’d known him, I’d never seen Mike as awed by someone. He basically told me that no matter what impossible new musical number or comedy bit he gave them, Sara executed it perfectly, with a triple lutz and confetti to boot. So in 2020, when we were looking for someone to cast as Che, Carrie’s alpha podcast boss in “And Just Like That …,” I thought immediately of Sara.

comes to digital, 4K, Blu-Ray, and DVD on Sept. 27, and with it a reel of never-before-seen bloopers from the film's set.